The recently opened Casa Cavia in the Palermo Chico neighborhood of Buenos Aires is an enchanting fusion of sights, sounds, tastes and eras.
Now operating as a brand new assembly of a restaurant, publishing house, bookstore, flower shop and perfumery, Casa Cavia is housed in what was known as the Bollini Roca residence, designed in the gilded age of the 1920s as a personal gift to the owner’s wife by the Spanish-born architect and artist Alejandro Christophersen of Norwegian parentage.
The founder and creator of the Casa Cavia concept, Guadalupe Garcia Mosqueda with book publisher Ana Mosqueda asked London and San Francisco-based KallosTurin Architects to restore and transform the residence into a modern cultural center, yet retain the essence of the historical building.
The architects retained the room proportions and numerous details but they also included modern elements throughout. The material palette includes white and green marble, brass, antique mirror, leather and terrazzo flooring – all inspired by the city’s cafes of the 1920’s and 1930’s.
Our eyes are drawn to the golden details, the arches and rounded shapes, the muted green seating and, of course, the flying books in the ceiling.
Our favorite section is the elegantly proportioned inner garden-courtyard with its small pool. It forces us to grieve the lack of such elements in today’s urban planning. Where, indeed, are the lovely urban inner courtyards of today that don’t feel like shopping mall food courts?
Ana Mosqueda’s Ampersand Publishing is the inspiration and anchor of Casa Cavia. It produces books but is also a center to exchange ideas, recalling the publishers of Europe and Americas at the beginning of the 20th century. There is a hall for classes, conferences and book presentations along with a library focused on the history of books and written culture.
Guadalupe Garcia Mosqueda has drawn in the best new Argentine talent to create and host the various parts of the concept that aims to showcase the best of Buenos Aires while promoting architecture, gastronomy, design, literature and art.
For the perfumery she brought in Julian Bedel, “the nose of Argentina” to offer the fragrances of Fueguia 1833 perfumes. Casa Cavia’s signature scent will be Biblioteca De Babel, named after a short story by Jorge Luis Borges about an enormous library of interlocking rooms housing a vast collection of books.
Costume designer and art director Silvana Grosso creates amazing floral impressions Casa Cavia’s flower shop Flores Pasión while Próspero Velazco presides over the pâtisserie and revives the neighbourhood tradition of high tea.
Pablo Massey, a protégé of Argentina’s top culinary star, Francis Mallmann, helms Casa Cavia’s restaurant, La Cocina.
We believe – and hope - that these kinds of charming yet also extremely functional and useful “unrelated fusions” of various activities and offerings are one trend that is growing around the world. The fact that Casa Cavia, in addition to providing a fertile mixture, also restores and repurposes an important building makes this project that much more fabulous. - Tuija Seipell.
Some of us go weak in the knees at the sight of a new bookstore or library. Such was certainly the case when we glanced at Cărtureşti Carusel bookstore, opened on February 12 on Lipscani Street in Bucharest’s historical Old Town, also often called just Lipscani.
The magnificent Chrissoveloni bank building, now owned by Jen Chrissoveloni, the great-grandson of the 19th century banker, created a magnificent starting point for the retail project. According to the Romanian media, the current owner invested 1 million Euro in the renovation and leased the building to the Cărtureşti bookstore chain for 10 years. The Cărtureşti brand added an additional 400 000 Euro in design, fittings and inventory, resulting in one of the largest and most spectacular retail projects in the area.
Our eyes tear up with the sight of a thousand square meters (10 764 sq.ft.) dedicated to 10,000 books, music and a bistro. Add to this the magical staircases, the incredible height of the space, the classy use of white and
wood, and we are delighted. The space lends itself well to events and gatherings as the heavily attended opening event proved.
The brand invited several designers to contribute ideas and eventually selected the “carousel” concept submitted by the Romanian Architecture studio Square One that has designed several others. - Tuija Seipell.
See also The New Stuttgart City Library in Germany
Villa Moos by Lake Constance (Bodensee) at the northern foot of the Alps draws our attention with its building-block appearance and foreboding façade.
And yet, surprisingly, with these almost semi-brutalist intentions, the look of heaviness does not follow.
Instead, there’s a delightful mood of lightness, almost of semi-permanence. It seems as if the entire structure could be a fold-up affair made of exceptionally strong origami paper or very light sheets of card board, ready for packing up and carting elsewhere. But as we know metal and glass are the main components, we must admire the architects’ ability to balance the scales so that the end result is harmonious.
With a sparse set of key ideas, the German architecture firm Biehler Weith Associated has managed to create a rather classy and serene vacation home for the owner whose sleek speed boats and antique race cars fit right in with the cool residence. - Tuija Seipell.
Images by Brigida Gonzalez
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Light and the absence of distractions drew us to this great little project. Absolute is an elegant 42 square-metre (42 asg.t.) florist shop on a nicely treed stretch of a boutique-lined street in Shanghai, China.
Architects Kong Rui and Fan Beilei, who founded Genarchitects in 2012, have created a peaceful, airy space by combining a small rectangular room with an adjoining front courtyard.
The design team, that included Chen Xiaoyi, Xue Zhe and You Wei as well, removed the dividing wall and covered the courtyard with a glass roof whichadds not just more room but more light to the otherwise non-descript space.
By the repeating a delicate arch motif in the white, light-weight furnishings, the designers have achieved an ethereal and somehow gamine feel as if the counters and fixtures were standing Bambi-like, erect and alert
with minimal footprints.
We love the fact that the entire floor is visible – yet another smart way to make the area seem much larger than it is.
With light reflecting from glass surfaces and creating patterns through the glass ceiling, the colorful flowers remain the main attraction as they should. - Tuija Seipell.
Just before the Holiday shopping season last year, Greek Jewelry designer Ileana Makri opened an intriguing retail store on Patriarhou Ioakim Street in Athens’s posh fashion district of Kolonaki.
She hired Greek architect Stelios Kois to envision an environment for not just her own jewelry but also for fashionable creations of other designers. The Makri is not new to retail, as her first entry, Mageia, also in Athens, opened in 1987. Mageia was also the setting for the launch of her precious jewelry line in 1996. Steeped in symbols, nature, mystique and multicultural lore, her pieces featured snakes, evil eyes, insects and other nature-inspired themes created in gold, diamonds, rubies, sapphires and other precious materials. Barneys New York noticed, and from there on, Makri has been part of the jewelry scene, and not just in the up-market fine jewelry segment but also in costume jewelry .
Celebrities and stars, from Jennifer Lopez and Faith Hill to Uma Thurman, Heidi Klum and Rita Wilson, have walked the red carpets of the world wearing Makri’s pieces.
As one would expect, Kois and project manager Antriana Voutsina with team members Nikos Patsiaouras, Marielina Stavrou, Konstantinos Karanasos and Alexandros Economou, used Makri’s work and philosophy as inspiration for the new Athens store.
The quality of light, geometric patterns, exquisite workmanship and intricate detailing are all essential in Ileana Makri’s work in which she transforms “memories to jewelry”, as Kois expressed it in a brief.
In the “peculiar forest” that Kois’s team created, our eyes are drawn to the strong, angular lines of the glass-and-metal trees on which jewelry and other items are displayed. The trees allow 360-degree viewing of the items inside the branch-boxes. We like the scarcity and strength of materials: metal, glass, wood and stone that gives the items on display a minimalist backdrop.
However, our favourite aspect of the store is the exterior. The window opening that appears like a big picture frame, was divided into three segments: Two windows framed with black stone protrude from the façade and, in between them, a narrow door made of black-stained oak leads into the store.
The narrower of the windows is for exhibiting the latest collections. It also frames a display tree and shows off our other favorite feature: the narrow, stone-clad staircase that leads to the jeweller’s workshop. - Tuija Seipell.
For someone born in 1977, Mexico-born and educated architect Manuel Cervantes Céspedes has scooped up his fair share of accolades. With his team at CC Arquitectos, he has completed both residential and commercial project that deserve attention.
One residential project in particular, El Mirador, located in Valle de Bravo, Mexico, and completed in 2013, has remained in our minds as an impeccable example of how to create elegant balance.
In this mountaintop residence, the architect and interior designers – as well as the owners – have resisted bravely the temptation to add just that annoying bit of attention-demanding “interest” - a contrasting dash of colour or a contemporary piece of furniture or art in a completely unrelated genre.
We admit that when we first saw the images way back then, we fell in love with the free-ranging horses. Then we admired the use of reclaimed railway ties as logs for the walls and then we were intrigued by the mirror-like pond at the entrance that also functions as a drinking fountain for the horses.
In the end, all of these features are essential parts of the balanced whole: A natural theme that is not disrupted.
There isn’t a single material or colour, inside or out, that breaks the theme, yet the house does not look or feel over-themed or over-designed.
The structure is a combination of steel and wood, and local stone is used extensively throughout.
The residence itself is a one-bedroom plan and takes up only about 550 square meters (5,920 sq.ft) and includes a kitchen and a large family room that connects to the outside terrace.
In El Mirador, Manuel Cervantes Céspedes’s team included José Luis Heredia Alvarez, Rafael Rivera Sanchiz and Javier Claverie. - Tuija Seipell.
Photos © Rafael Gamo
More recently, Thürmer’s team completed the Kids’ Museum of Glass located in the same Shanghai-based complex and opened a few days ago.
Cool and edgy, quite literally, the Kids’ Museum has none of the typical cute and cuddly kiddie features found in spaces dedicated to children. Instead, the target audience, kids aged 4-10, enter an environment of glass, particle board and metal realized in a color scheme of black and white sparsely livened up with lemon yellow, saturated pink and cool blue.
The museum is designed to teach kids the basics of glass in a playful and fun way. The museum mascots, Bobo and Lili, guide children in their glassy hometown through various features, including The Beach, The Circus and The Factory.
Everything is designed to be touched and interacted with. Simple actions and gestures allow children to learn how lightning can create glass, how a glass prism works or what smart glass is. Performances, films and glass demonstrations entertain them in the Fire Theater and Up-Cycling Theater.
Kids can also practice their sketching skills in one of the ‘Draw Me’ installations. There are also two cafes and a shop for souvenirs, as well as a separate party space for rent for school groups, birthday parties or events by family-oriented brands.
The 2000 square metre (21,530 sq.ft) Kids’ Museum of Glass is located in the industrial Baoshan District of Shanghai and it is part of the massive former glass manufacturing site that covers about 30,000 square meters (322,920 sq.ft) and includes thirty existing buildings. When the redevelopment of the site was first envisioned and a 20-year plan created, the site was renamed G+ Glass Theme Park (Glass, Art, Research and Technology Park). - Tuija Seipell.
For many years, Pelletier has been researching and experimenting with methods of creating multidimensional portraits. Using his research in thermal imaging and MRI scanners as a technological basis and as inspiration, he started using Microsoft’s motion-sensing Xbox device, Kinect, to create cool artwork with a strong, edgy look.
Pelletier’s 3D images made of a sitting subject appear to be pictures of a metallic sculpture, strangely alive yet scarily cold at the same time. An updated C-3PO with a beating heart, perhaps?
Pelletier has participated in exhibitions and festivals around the world including the Netherlands, Canada, Finland, Spain, UK, US and Australia.
He is originally from Saskatchewan, Canada, and works currently at Random Studio in Amsterdam, the Netherlands. - Tuija Seipell
These designs are printed on metallic paper and mounted behind perspex for a dazzling and bold look. They can be wall mounted or free standing.