New York artist Tom Fruin’s outdoor sculpture Kolonihavehus in the plaza of the Royal Danish Library in Copenhagen has the appearance of a friendly and colorful stained-glass house, yet it also evokes thoughts of churches and Charles Rennie Macintosh.
Fruin’s sculpture is constructed of a thousand reclaimed pieces of plexiglass ranging in size from 2x2 to 24x36 inches. They originate from many sources, including a closed- down plexi distributorship near Copenhagen, a framing shop, the basement of the Danish State Art Workshops, and the dumpsters outside the Danish Architecture Center.
The sculpture was brought to life by daily performances by Copenhagen-based CoreAct headed by Anika Barkan and Helene Kvint. The performances included poetry of the Danish Vagn Steen, Computer-controlled light sequences by Nuno Neto and a sound installation by Astrid Lomholt.
Kolonihavehuses were originally small garden sheds that were designed to give cramped and often impoverished city-dwellers a small plot and a refuge from city life. - Bill Tikos
Some design is classic. Some design is innovative. And some of the most interesting design seamlessly blends classic styling with innovation.
Vizualtech's Bo Zolland specializes in technical illustration and custom design - using modern influences to transform the chassis of cars from new to old.
Zolland created a series of renderings of a 1955 Ford Thunderbird for a client. The car will be built from the body and components of a 2009 Ford Mustang, but will be completely remodeled to resemble the classic lines of the T-Bird - proving that the reverse can be true: from the new can come the old. - Andrew J Martin
Why do you read TCH? Does it inspire you to create, start a business, design a product, improve an idea? Does it make you want to innovate or imitate? Does it inspire you travel, or live in another city or country?
Do you need someone else to tell you your product/idea/execution/brand is great? We say don’t worry what anyone else thinks, trust your own judgment. When others doubt, be confident in your vision. Stop waiting for the perfect time to do what you want to do. Just go for it and do it now.
Don’t’ follow fashion trends. The most fashionable thing you can be is to be you. Travel the world, live in other cities, learn cultures. Learn because it keeps your mind young. You don’t need a university degree to be successful, although it may be helpful, but don’t do it because your parents – or you? – have status anxiety. Stop whining about it.
But what you do need is vision, tenacity and confidence in what you do. Do what you love now. Switch topics or schools now. Don’t wait till the last year of your education to realize that this isn’t your path. Listen to your heart, it knows what makes you happy.
If your job sucks, stop blaming others, your boss, your parents, the unverse. Just quit and take responsibility for your own choices. It’s not about the sucky job. It is about you being in the wrong place. There’s never a better time than now.
Start doing what your mind has been ticking away for you to do for years. Take risks. Be in a relationship that flows effortlessly. Trust your gut feeling. Intuition is strong and powerful.
Stop smoking, invest in your body, get off your ass and exercise. If you’re an entrepreneur , don’t spend all night on your projects. Practice balance and time management and have a life. Your family and kids are wondering why you aren’t home for dinner, again. What a waste of your time.
Have the tenacity and focus to execute an idea no matter how daunting it may seem at first. Have the confidence in what you’re doing even when others doubt. Create opportunities for yourself. It is time for you to step up.
Here at TCH, we practice what we preach and we learn something every day. Everything we feature here on TCH, is based on intuition. We don’t care if you or anyone else don’t like it or agree with what we feature. If we did that, we’d go insane and TCH would be fake and boring and bland.
The coolest thing you can do is doing it. - Bill Tikos
By the late 1980s, the Praediniussingel building that had accommodated the Groninger Museum for 100 years, had become too small for the museum’s modern and contemporary art, fashion and design, and historic arts collections and exhibits. By 1994, new premises on the Verbindings Canal in Groningen, in the northern Netherlands, were designed by the Italian Alessandro Mendini and guest architects Philippe Starck from Paris, Italian Michele de Lucchi and the Coop Himmelb(l)au group based in Vienna and Los Angeles.
Since 1994, nearly 4 million people have visited, leaving behind wear and tear. The premises have now been renovated and new spaces by Antwerp-based Studio Job, Spanish designer Jaime Hayon and Maarten Baas have been added. The Info Center by Hayon is one of the coolest areas in the new building. Computer stations embedded in a many-armed desk provide information about the museum’s exhibits. Tuija Seipell
A tiny cocktail lounge, Yucca, has opened on the third floor of Mansion 26F in Sinan Mansions, Shanghai.
The building is the headquarters of Yucca’s creator, Australian-Greek chef and restaurateur David Laris, and it also houses three of his other restaurants: Funky Chicken, Fat Olive and 12 Chairs.
Yucca’s interior design is by Shanghai-based Lime 388, a design and communications agency founded by the Paris-educated Thomas Dariel and Benoit Arfeuillere.
Yucca’s crazy, modern Mexican feel conjures up thoughts of Salvador Dali, Diego Rivera and Frida Kahlo. There are the religious undertones, tall candelabra, catholic crosses, elaborate floor mosaics. There are shocking colors, paisley arm chairs, iron gates and a big slab of marble as the main bar. It all looks a bit much, even without patrons. And the multitude of rum and tequila cocktails will only heighten the somewhat mad vibe. Undoubtedly the creators’ intention. - Tuija Seipell
You can relax now and forget all of your bad memories (should you have any…) of drab and dreary home economics classes because the newest cooking schools are cool.
It is true that The Culinary Art School in Tijuana, Baja California, Mexico is not of the high-school variety – it is for serious chefs with high aspirations – but it oozes a new, cool confidence that could potentially turn even the most nonchalant teenager into a passionate chef.
The elegant use of wood is the key attribute in The Culinary Art School. Its new building was designed by San Diego, California-based Jorge Gracia Arquitecto whose founder, Jorge Gracia, was born in Tijuana in 1973.
The entire school complex carries an air of strict order, almost an ascetic solemnity. If you didn’t notice the stoves or wine racks, you could mistake this for a place of religious study.
And, passionate chefs certainly express a fervour for food, ingredients and cooking that could be likened to religious zeal. It is easy to imagine how the colours, textures and aromas of various ingredients stand out in this kind of environment. It is like a stage for culinary creation or like a frame for gastronomic artwork.
Also in the category of cool cooking schools is the Sydney Seafood School established in 1989 and completely refurbished for its 20th anniversary. It conducts cooking classes for all skill levels and draws more than 12,000 students annually.
Words such as handsome and sexy come to mind when you look at this space, the creative work of Dreamtime Australia Design, based in Sydney, Australia.
Some time ago, we have featured Dreamtime-designed Churchill Butcher Shop in Sydney.
In Sydney Seafood School, a tactile intrigue, and a contrast between serious study and serious fun, are evident in every space. The school’s entry wall is a honeycombed sandstone creation by sculptor Michael Purdy.
The dark and impressive hands-on kitchen looks formidable with lots of shiny stainless steel and glass, but its gravity is lightened by chalkboard walls with “fish graffiti” as art. The cool auditorium’s walls are lined with Icelandic fish leather. In the dining room, the harbour view competes for attention with a row of fun fishnet chandeliers and their more than 6,000 little globes. Where do we sign up? Tuija Seipell
Seriously one of the greatest mountain bike edits you'll ever witnessed. Impressive filming and riding.
The song is by Radical Face - Welcome Home
Creative duo Kirsten Rutherford and Lisa Jelliffe from London’s Brothers & Sisters agency drew our attention to their current poster installation “Making the invisible visible” that hit the streets of London this past weekend.
It is a collaboration with the Berlin-based, three-person photographic street art collective Mentalgassi in support of Amnesty International.
The London poster campaign is specifically in support of Troy Davis, a man described as having “been on death row for 19 years in the USA, despite serious doubts about his conviction.”
The posters, depicting a close-up Davis’s face, are mounted on fence railings that disguise the posters so that the face behind the bars is revealed only when viewed from an angle. View the video.
The three posters are located at 4-7 Great Pulteney St, 21 Great Pulteney Street, and 5 Berners St (all W1). - Bill Tikos
We are cautiously nursing a glimmer of hope that even the most corporate of the corporate world could start taking design seriously. And that they could really start understanding and taking advantage of the effects that great head-office design has on staff creativity, productivity and comfort; which, in turn, leads to either staff loyalty or revolving doors. And, most important, that all of this inevitably filters down to how the customers experience the company.
Some banks in Australia are giving us reason for this hope. We observed Macquarie investment bank’s new harbourside office building in Sydney some time ago.
We are now looking at the ANZ Centre in Melbourne’s Docklands and our hopes rise up further. Designed by Melbourne-based HASSELL, the massive “urban campus” occupies 130,000 square metres and is the location of the daily grind for 6,500 people.
The design centers around a common hub that on the ground level includes cafes, a visitor centre and public art. Throughout the campus, 44 individual hub spaces connect to quiet working zones.
The floor plan maximizes flexibility and daylight penetration, and fosters collaboration and varying work styles. About 55 percent of the work area is collaborative space and the remaining area is dedicated desk space.
HASSELL won the 2010 World Architecture Festival’s Interiors and Fitout of the Year award for ANZ Centre. The World Architecture Festival is an annual three-day event held in Barcelona where the Awards this year attracted a record 500 entries from 61 countries. - Tuija Seipell
Le Bar 228 at the grand Le Meurice hotel in Paris is often topping the city’s “Best bar” lists. The reason may be the 50-plus whiskies on the list, or the 300 or so specialty cocktails, including the “228 or the “Starcky.” Which leads us conveniently to yet another possible reason: the opulent and masculine interiors, nicely re-imagined by Philippe Starck.
Le Meurice is a palace hotel overlooking the Tuileries Garden. For two centuries, it has been one of the most elegant hotels in Europe, and one with close ties with the artistic and creative world. Starck was invited to awaken this sleeping beauty from its slumber and he did it by infusing a sexy, modern dynamic yet letting the powerful 18th century magnificence re-claim its glory days. Starck’s skilful touch is seen throughout the hotel, not just in Le Bar 228.
Le Meurice is part of the Dorchester Collection of luxury hotels group of hotels that includes among others The Beverly Hills Hotel, Hotel Principe di Savoia in Milan, The New York Palace, 45 Park Lane in London. - Bill Tikos