Tourism offices around the world pay attention - this is how you promote a country.
Tim and Fiona Slack (T&F Slack) are married to each other and to their love of creating shoes, considered “modern classics” by industry standards. Their collection gives the classic “Gibson” or “Derby” shoe shape new life when unexpected color combinations, stitching details and fabrications are blended together.
You can choose from the perforated Punch Derby in white leather with yellow peaking beneath, or have a custom pair made to order in their Notting Hill Shop, or use the simple “build your own shoe” system they’ve created within Selfridges and Liberty.
Dedicated to keeping manufacturing local, they make around 150 shoes per month in their factory where old-fashioned machinery is salvaged and customized to create their “modern classic” shoes. With so much repetition in the world of shoes, it’s so refreshing to see a unique and bespoke solution that really does draw the eye downwards! – Kate Vandermeer
The interior design of Bank of Moscow’s offices in central Moscow’s Kuznetsky Most area (Kuznetsky Most street 13) retains the building’s great historical bones and matches customized adornments to them.
The office — one of the Bank’s many offices — occupies 7,000 square metres on the third floor and in the previously unused mansard (attic) space. Moscow-based designer, Alexey Kuzmin, retained by architectural office Sretenka for this assignment, used the space’s key feature, the large, hexagon-shaped central hall, as the defining point. He placed the client services functions in this grand, open area to evoke and retain the elegant feel of the entire building.
It is windowless, so Kuzmin created a stained-glass ceiling, that echoes the forms and style of the building. Everything in the client zone was customized, including the tall wooden doors with glass, stained-glass windows, chandeliers, oak paneling for walls and ceilings and the marble floors.
Kuzmin located the staff offices on the wings or balconies surrounding the client zone. The dividers in the office area are made of glass with wooden arches around them.
The attic had no historically significant features and it was designed as a typical, effective office. Glass dividers allow light into the space from the small narrow roof-top windows. The ceiling is made of fire resistant panels, covered with birch veneer. The white office furniture is by Vitra.
The storied building has housed the Tretyakov Trading House (same Tretyakovs that are behind the Tretjakov Art Gallery) and the expansive shop of the famous Russian photographer, J. Daziaro. Over time, the Kuznetsky Most area has changed from an upper-class shopping district (early 1800s) to financial district (mid 1800s), to Bolshevik and KGB offices, and back to elegant shopping (since 1980s). Tuija Seipell.
Steed Lord is a musical performance art project from Iceland working on the frontiers of pure creativity and music-making with impressive and energetic live performances, experimental filmmaking, photography, fashion design and styling, art direction, graphic design and other visual media.
The threesome, KALI, MEGA and DEMO, all hail from Iceland where they grew up in the entertainment and art world, learning their craft at an early age in their fathers’ studios.
Drawing their raw inspiration from their Icelandic background, they have managed to create a world of their own that they call New Crack City where they create their art and write their music.
Steed Lord have since early 2006 been a 100% DIY project, and toured all over the world with their music, performing for thousands of fans and being featured by numerous magazines, music and fashion blogs, TV shows and radio. They even designed a clothing line for retail giant H&M.
Perhaps we have died and gone to heaven, or just seeing visions, but this not the kind of bank that we do business with. Unfortunately.
This far-reaching concept bank is located in the historical building of 2, Place de l’Opéra. The space is chock-full of completely wacky un-bank features, yet it also has a nice retro touch — the honeycombed ceiling, lovely mirrors — that gives it the elegance and respectability that the building’s history warrants and the bank’s business must convey.
Other than that, it is an almost 1,000 square-meter funhouse of colors, shapes, textures and forms with the goal to entice the customer to discover, interact, experiment and (gasp!) enjoy.
In ten specific zones, all regular banking functions from daily banking to stock-market info, private meetings, staff training can take place with the emphasis on breaking the age-old banking set-up where the client and the adviser (the teller, the banker) are on opposite sides.
All of this plus a temporary exhibition area dedicated to kids, a coffee bar, a 25 square-meter green, living wall set the tone for the unusual banking experience. Of course, such aspects as ergonomics, sustainability, proper lighting and the latest technology, are givens.
In addition to custom furniture and furnishings, Zoevox used furniture by Christophe Delcourt, Philippe Hurel, Paola Lenti, Christian Liaigre, India Mahdavi, Antonio Lupi (lavabo), Pierre Paulin and Philippe Starck, and lighting by Sylvie Coquet, Adrien Gardère, Poul Henningsen, Marco Merendi, Karim Rashid and Patricia Urquiola. Now, can we all expect our neighbourhood banks to change? Tuija Seipell
Underwhelming. That’s the one word that describes the Superbowl ads. With one fun exception: Volkswagen’s The Force (23 million views). Brands in general did not push Twitter or Facebook either, as they assumed viral would happen by itself. But it didn’t, because the Superbowl ads were not memorable or worth talking about. People talked, but it was mainly negative. Being just a bit clever and/or technically good is nowhere near enough. Talking down at the viewer bombs. And being plain stupid is unforgivable. So, what is missing? Storytelling skills, heart and magic. Real, tough-earned creative that pushes the viewer to something new, surprising, fun. All those brands, all those agencies, all that money, and that’s the best that can be done? Fail. Here's a Heineken ad, The Entrance, an ad that would have fit the bill. - Tuija Seipell
Kirk Originals eyewear company opened its London flagship store on Conduit Street in the West End this week with a swanky launch party.
London-based Campaign designed the pared-down, dramatic retail environment of the 66 square-meter boutique.
The black-and-white color palette, only one eyewear wall with 187 “heads” for frames, and practically no furnishings ensure that customers will focus on the eyewear, not the trappings. Eye examinations and fitting take place in the basement, away from the main display space. Large graphics of winking eyes in the window speak the same, clear language leaving no doubt about what they sell.
Established more than two decades ago, Kirk Originals is still run by Jason and Karen Kirk from their home near Bordeaux, France. Kirk Originals are available in more than 40 countries. - Tuija Seipell
Pool tables, free beer and “casual everyday” dress code may have become the desired and appropriate work environment in many companies, but for some, a gentlemen’s club atmosphere works better.
London-based architecture and design firm SHH created this elegant office in London for an international investment company. The offices are located in a five-storey Georgian townhouse connected to a two-storey mews by a partially covered walkway. Several marble-inlaid fireplaces, marble mosaic floor tiles and beautiful ceiling cornices were kept from the previous occupants but the rest underwent a thorough modernization.
The resulting milieu is imposing and somewhat intimidating. Its dark, black-and-white photography vibe harkens back to some secret storied past, yet the contemporary treatments, especially the dramatic lighting pieces return the thoughts back to today.
Some of the light fixtures are by Modular and Foscarini and the statement chandeliers were custom-designed by Michael Anastassiades.
Custom-work, limited-edition pieces and classic furnishings such as Eames chairs accent each space, giving stunning jolts among the calm opulence.
Showing up in dated jeans or worn-out sneakers (unless you are Steve Jobs or Richard Branson) in this space would not seem appropriate, and should cue sports be allowed, they would most likely be the English Billiards variety.
Founded in 1992 by David Spence, Graham Harris and Neil Hogan (the S, H and H), architecture and design firm SHH is now a practice of more than 50 people working globally on architecture, design and branding projects.
Many of SHH’s retail, hospitality, nightclub and office clients are in the luxury category, but their client list includes also names such as Sheraton, Adidas, Pizza Hut, Aphostrophe and McDonald’s. - Tuija Seipell
This streamlined and crisp office environment in Kiev, the capital of Ukraine, is the work of Sergey Makhno’s design and architecture firm. The play between soft and hard, round and angular, plain and colorful creates a sense of whimsy and energy, but does not overpower the space.
The Kiev-based Makhno and his partner Vasily Butenko have used their own distinctive furniture throughout the interior.
The wine-colored, square-form Origami chairs in the small meeting room contrast beautifully with the azure walls and simple, white table. Black, padded Blobby office chairs give a soft touch to the sparse individual office areas, while the shiny blue rounded sofas add a playful touch to a flexible, multi-use area.
Corian walls “buckle” on top of wood paneling, exposing the wood and creating nooks for storage and soft, undulating features for the eye to follow. Makhno’s work has been featured in local and regional publications, but we expect to see more of it around the world. - Tuija Seipell