Elegant, calm, minimalist, clean and beautiful are among the adjectives that can be used to describe almost all of Marcio Kogan’s much-publicized and much-awarded residential masterpieces.
The magnificent, streamlined residences must serve as an antidote of some sort to the Brazilian architect who has been quoted as saying that he loves his home town of São Paulo and New York because they are similar in their chaotic ugliness, and because he likes “energy, chaos and a multi-cultural population in a city.”
Out of this chaos-, humor- and cinema-loving creative mind, an astonishingly lovely, peaceful balance is projected onto residential projects.
Reviewers of Kogan’s work often mention Ludwig Mies van der Rohe, Frank Lloyd Wright or their contemporaries, but Kogan has said that he is more inspired by Ingmar Bergman, Federico Fellini and Andy Warhol.
However, the 57-year-old Brazilian-born and educated Kogan does have a modernist approach, and he has described the work of fellow Brazilians of modernist ilk -- Lucio Costa, Oscar Niemeyer, Lina Bo Bardi and Vilanova Artigas – as incredible.
The Paraty House, pictured here, is located on one of the hundreds of islands near the colonial town of Paraty, close to Rio de Janeiro. Before it was completed, Kogan predicted that it was to be his favourite house. Its simple premise is two large drawers pushed into the hill and connected by an internal staircase.
Its elegance comes from the seamless link between indoors and out, from the use of native wood, stone and vegetation, and from the minimalist, sweeping vistas that make so many of Kogan’s houses appear as if they were either taking off or recently landed. And although the stacked-boxes style is starting to wear thin as style-du-jour, this is surely one of its best examples. - Tuija Seipell
Self-described as a former frustrated David Carson wannabe, Melbourne-based Amy Moss has realized that her happiness – and her potential for design rockstardom – are dependent on her NOT being a graphic designer but her obsession about beautiful colors and beautiful things in general. She figured out she’s a stylist rather than a graphic designer, and her blog EatDrinkChic may well be her ticket to filmstardom, too, in the same way that Julie Powell’s obsession with Julia Child’s recipes, and her blog about them, took her in six years from relative obscurity to being a topic for the film Julie & Julia.
EatDrinkChic has a crafty, girly vibe but there are no crocheted polyester-yarn throw cushions or quilted tea cozies here. The blog is about interiors, parties, weddings and food and Amy Moss offers readers DIY ideas which she styles, designs and photographs and offers it all for free to her followers. It won't be long before book publishers come knocking. - Tuija Seipell
We believe you shouldn’t judge a book by its cover, but you can judge your favorite drink by its label. Vitaminwater is crowdsourcing its next flavor through the launch of their Flavorcreator app on Facebook, marking the first time that fans of Vitaminwater can collaborate to create the next flavor.
Vitaminwater enthusiasts will have the opportunity to name the flavor, write the bottle copy and design the label via a contest with the winner or winning team receiving a $5,000 prize from Vitaminwater.
Bottles designed by Access Agency
The bucolic setting of this lovely private refuge is located in a tiny hamlet in the Flemish district of Belgium, about 10 kilometers from the country’s third-largest city of Gent. Gent-based architecture studio Wim Goes Architectuur designed the beautiful extension to this residence. The wooden addition sits above a new wine cellar and extends partly over the pond.
The natural, graying wood, the green vegetation and the blue sky and pond create a harmonious balance, accented by the slim vertical lines of the largest surfaces. Goes’s signature style combines intentional, unpretentious simplicity with functional clarity, and results in stark beauty with Japanese-Finnish undertones.
In this residential structure, Goes created an elegant facade that encompasses both visual and structural grace. The facade is created from slim strips of wood (only 6 x 8 centimeters in cross-section) selected for the straightness of the growth rings in each piece of wood. And although the wood will still warp slightly in the rain and sun, this does not pose a structural problem because the facade does not need to bear wind load -- the wind will blow right through the strips. The only structural load the wood strips must carry is the vertical load of the roof.
Wim Goes is an award-winning architect, born in 1969 in Ghent. He established Wim Goes Architectuur in 1997. The firm’s work includes private, public and retail projects, ranging from the stunning Yohji Yamamoto flagship store in a neoclassic building in Antwerp, to museum, office and design environments. This year, he was chosen as one of the 40 under 40 European Architects by the European Centre for Architecture Art Design and Urban Studies and The Chicago Athenaeum: Museum of Architecture and Design. - Tuija Seipell.
Electro has always been the bread and butter of the Western crowd. France kicked off the distortion explosion with Justice, DatA and the Ed Banger sound, while the US set have been high balling with crunchy jams courtesy of the Los Angeles party set, including Steve Aoki's Dim Mak crew as well as Classixx and the late great Guns N Bombs. But over in Japan, Shinichi Osawa has been making plenty of noise with his relentless output of forward thinking, super-sized bangers, beating his Western contemporaries at their own game.
Having already unleashed a celebrated artist album back in 2007 (The One), Osawa's latest masterpiece comes in Teppan Yaki, and despite its dubious title, the oversized package collects all of Osawa's biggest remixes to date, including main-room reworks for the likes of Boys Noize, Cazals, Van She and Bag Raiders, as well as an extra disc of the producer's remixes for Japanese artists like De De Mouse, becoming a primer of sorts for far-out Japanese club culture. – Dave Ruby Howe
Shinichi Osawa's Teppan Yaki is out now.
It doesn’t take much imagination to understand that toys and childhood play were the guiding inspirations for the recently completed children’s sports and recreation center in Saint-Cloud, a wealthy community located in the metropolitan area of Paris, about six miles from the city center.
Designed by Paris-based KOZ Architects, and coexisting with several older educational buildings and a residential development, the 1,600 square-meter facility is unexpected and bold in its riotous use of colors both inside and out. A more typical an approach for this type of neighborhood would have been a structure that vanishes into its surroundings.
The funhouse by KOZ has turned into a favorite of kids, parents and teachers, as the facility was planned and its wild colors used in specific ways that fosters the intended functions -- play and sports – and not just to shock or delight.
Joining cube-shaped, basic concrete structures with an overlay and creating a sports court on top of the building have not only increased the building’s usability and maximized the use of the site, but also accommodated the complex’s surprisingly easy fit into the site. A monolithic, monotonic approach would have created a mass much more imposing and seemingly unfriendly than the varying-height structure with its pixelated glass facade that now draws children in through color and an abundance of natural light.
KOZ was established in 1999 Christophe Ouhayoun and Nicholas Ziesel, graduates of the Paris-Belleville School of Architecture who both spent part of their childhoods in the USA. With three other architectural firms, KOZ established a collaborative collective, Plan01 in 2001. - Tuija Seipell
We are excited to soon be launching TCH customized designer car wraps, so that car can really feel they a cut above everyone else on the road. We are imagining the fun that owners will have in selecting their favorite design for their very own car.
We would love to hear from designers/illustrators/art directors who would be interested in submitting a design for consideration as one of the final 25 options. If you are interested, please email us and we will give you the details on how to submit your design. Have you seen our Mini in Neon colors?
Not so long ago, we noticed the handiwork of Deardesign when they created the Munich sports shoe concept store in Barcelona’s massive L’illa Diagonal.
Now Ignasi Llauradó and Eric Dufourd, the founders of the Barcelona-based design and architecture studio, have completed another flagship store in the same mall. This time, the store belongs to local fashion brand Lurdes Bergada, Syngman Cucala, established by the 30-year fashion veteran, Lurdes Bergada.
In keeping with the fashion brand’s industrial and minimalistic style, Deardesign created a vast hangar-like feel by including all of the functions of the store – both client-facing and back-room – under one roof, but separating them with a curving wall.
This wall, created with 1,000 pieces of beech wood screwed together by 2,400 screws, forms an igloo-like huge presence and becomes a focal point that emphasizes the size of the entire space. Each piece of wood is unique and each piece is visibly numbered – a necessary technical detail for building the wall and a creative design idea to expose the “making of” and to bring attention to the construction features. The use of concrete, wood and cement further adds to the warehouse-like atmosphere.
The clothing brand is all about simple, clean lines and technical ability, and the industrial feel of the store interior echoes this beautifully.
Lurdes Bergada and her son, Syngman Cucala, are known for the practicality and high quality of their fashionable clothing for both men and women, sold in their five stores (including two in Madrid) of which the first opened in 1978.
For Deardesign, this flagship is an impressive addition to their already impressive retail client list that includes LVMH Group, Burberry, Nike and Sephora. Ignasi Llauradó is an industrial designer educated in Barcelona and Eric Dufourd is a Paris-trained interior designer. They established Deardesign in 2005. - Tuija Seipell
The label’s first collection, designed by young Dutch designers, including Denmark-born Claes Iversen, launched with a flashy catwalk show at the Arnhem Fashion Biennale in 2007. The label is part of Stichting Mode Met een Missie (Fashion with a mission foundation) which, in turn, was founded in 2005 to help women with problems caused by addiction, homelessness or psychiatric issues. In “teach-them-to-fish” spirit, the women are taught to make the Ami-e-toi label’s clothing and so gain a profession, and self respect.
In Mentjens’s luxurious store design, Art Deco meets boudoir and is juxtaposed with red-velvet sofas, oak parquet flooring, marble, busts on mirror-top tables, and cameos on the wall. Two massive mirrored walls ensure that the fashions and the fashionistas are visible in endless repetition. The idea “Nothing is quite as it seems” is part of the design concept, echoing the contrast between have-it-all fashionistas and the women who make the fashions. - Tuija Seipell
Photography - Arjen Schmitz