We are wondering why it is that car manufacturers are tripping over each other inventing boring and redundant “super modern” and “high design” cars, when the end result is a sea of lookalikes. One can no longer recognize a “premium” make from a lower-end car, certainly not by distinctive and recognizable design features.
They are unimaginative, uninspiring and suffer from a serious case of follow-itis. As opposed to being leaders and, in particular, design leaders. We see design tweaks and add-on features advertised as if they were a revolution when in fact, there’s nothing really significantly new or exciting. No wonder so many are giving up cars altogether. Why spend all that money to get what?
Our hopes are up a bit with a sighting of the carbon fiber-bodied “Bella Figura” Bugnotti. It is Delahaye USA’s tribute to Ettore Bugatti’s son, Jean, and it was inspired by the 1937 classic Type 57S. This retro beauty will debut at the Retro Auto at the Pebble Beach Concours d’Elegance Aug. 13-15 in Monterey, CA.
We are all for going back to the basics, to looking at the best and most beautiful models of the past and resurrecting them. For example, there is nothing to add to the iconic design of a classic Saab. It was designed for minimal drag and that was partly the reason why the Saab was such a hot ticket as a rally car in the 1960s. And they had 3-cylinder engines, too.
Imagine if we could again drive cars this cool? Of course, they’d have the relevant and useful modern technology and electric power as well. Why is that not possible? - Bill Tikos
Nothing turns heads faster than a cool retro print on an über hot car, and our Space Invader and Pac Man inspired Mini Coopers had half of New York & L.A in a neckbrace from all the attention. Average Joes on the street became home-schooled paparazzi as they snapped away at the Mini on their mobile phones and forwarded them on to friends.
If you think your design has what it takes to get wrapped around a Mini then send it in to us this month and you could see your work blazoned across our exciting new global launch.
See also our Space Invaders pop up skate ramp
Two Door Cinema Club inhabit a curious position in the current musical landscape. On the surface they’re a typical indie-pop band, that’s obvious from the haircuts right down to the masterful knack for melody that these three Irish lads posses. But there’s more to it than that. The group’s energetic guitar blasts that riddle debut album Tourist History betray some serious punk leanings, not to mention the trio’s connection with French hipster den Kitsune has made them crossover stars with the dance and electro crowd. Indeed, the trio laid down parts of Tourist History with club stalwart Philippe Zdar of Cassius, an experience treasured by the trio.
“He is the best producer working in dance music right now, hands down,” says Kevin Barnes from Two Door Cinema Club down a crackling phone line from Northern Ireland. “And he was great to work with, he just wanted us to try out all his toys in the studio,” he says, adding that the current musical climate helped facilitate the hook-up with Zdar. “Now those genres have really blurred and the label you put on the music doesn’t matter so much anymore.”
Indeed, the melting pot of styles found on Tourist History only serves to enhance the accessibility and sheer fun of Two Door Cinema Club. It’s an intensely listenable record, and its thoughtful simplicity is something to be cherished in an age of grand designs and high pretension in indie rock. “We just wanted to make something that was true to the music that we have all been influenced by, and this is what we came up with” Barnes explains. “We did our best to ignore all the hype and just focus on doing what we love.” Dave Ruby Howe
This may not be your idea of a home but it is bold and fun, and it has certainly attracted wide media attention. The 8,500 square-foot Casa Son Vida is a cooperation between three powerhouses: Luxury residential developer Cosmopolitan Estates, eclectic Dutch designer and founder of Mooi, Marcel Wanders,, and award-winning Los Angeles, Switzerland and Hong Kong-based tecARCHITECTURE.
Casa Son Vida is located in the Balearic Islands off Spain, on the Island of Mallorca, where humans have lived since 6000–4000 BC and where more recently, tourists have over-crowded every beach. But Casa Son Vida avoids the touristy kitsch and aims much higher. It is in the exclusive Son Vida community, just 15 minutes from the capital of Palma.
Casa Son Vida is in fact a reno of a 1960s Mediterranean villa, but it has been turned into an fantastic, sprawling luxury residence, designed to attract the young, discerning and bold, who are confident and design-savvy enough to know what they are looking at.
The handiwork of Marcel Wanders is evident everywhere in the Casa that looks a bit like an unruly movie set with its dino-bone exterior staircase, and various bits and pieces that remind you of Tomorrowland, Mickey Mouse, Finding Nemo and, of course, Alice in Wonderland.
With its retro synthetic vibe, the house clashes happily with its lush surroundings, but the interior, in its white-dominant serenity is much less startling, although fun and unexpected detail is found in every space. There is absolutely nothing ordinary in this house. Everything is customized, every aspect considered a million times. It is a great example or considered chaos.
This is the first of six villas planned for the Platinum Estates development by the just less than a year-old Cosmopolitan Estates. The eclectic plans for the remaining villas reveal a series of large residences, radically different from each other. Casa Son Vida is currently not for sale but the other five are. Dream on. Tuija Seipell
Mamilla Hotel in Jerusalem describes itself as the first luxury lifestyle hotel in Israel and Jerusalem. With its city-center location and views of the old city walls, it connects old and new gracefully. Mamilla is a refined and elegant reminder that just as the word “urban” comes from the ancient Latin word urbs for “city,” luxurious city living in aesthetic harmony with the surroundings is not something we have invented in the last few hundred years. So, yes, this may indeed be the first luxury lifestyle hotel in Jerusalem that we will have the chance to enjoy today, but it probably has predecessors in the distant past of this historic, global city.
Deftly, by letting the milieu and setting speak their language, Mamilla’s main creative forces, Massachusetts-based Moshe Safdie and Milan’s Piero Lissoni, have avoided one of the syndromes that has become boringly common in hotels aspiring to exude luxury and cool — the overuse of black and white with a few splashes of bright color.
Many of us have vivid sensory memories about Jerusalem: the ever-present sand and stone, the strong sun, the subtle surface textures, and the soft, sun-bleached tones of color. Mamilla expresses all of this, and that harmony creates a peaceful, classy and confidently un-trendy hotel environment.
To protect Jerusalem’s ancient ambiance, all new construction must by law use the local light-hued limestone called Jerusalem Stone. In this hotel, the use of the stone is prevalent, but not pretentious. For example, in each of the 194 rooms, the bedside walls are of exposed Jerusalem Stone in harmony with the massive metal headboards and dark wooden floors, and in contrast with the modern, Piero Lissoni custom-designed furnishing and bathrooms.
The Israel-born architect Moshe Safdie is also the planner of the adjacent Alrov Mamilla Avenue, a shopping and entertainment area overlooking the Old City.
The Mamilla Hotel is part of Alrov Luxury Hotels Holding – the hotel and hospitality subsidiary of Tel-Aviv-based real estate company Alrov, founded in 1978. In addition to Mamilla, Alrov Luxury Hotels owns the David Citadel Hotel in Jerusalem and is developing two properties in heritage buildings in Europe: the Conservatorium Hotel in Amsterdam and the Café Royal Hotel in London. - Tuija Seipell
See also Neve Tzedek Hotel, Tel Aviv
The bloggerati have well and truly taken over the various fashion weeks around the globe, front rows filled with social networkers tweeting to their faceless fans. So how does an old-school fashion magazine stand out?
French Grazia magazine tackled the challenge recently at Paris Fashion Week with pug dog balloons. Of course!! Why not?? A simple, old-school talking-point stunt that certainly got their girls noticed. We're guessing they're referencing the chi-chi practice of carrying a lap-dog to such events. We're not sure. And who cares. We just think they're cute. Lisa Evans
The annual Leipzig Book Fair (Leipziger Buchmesse) has just ended. Attracting some 150,000 visitors each March, the four-day Fair is one of Europe’s largest bookish events.
At this year’s Fair, the trade show exhibit that received some serious media attention was made of 15,000 pencils — the writing instrument hardly anybody uses for writing. Interior Architect and product designer, 29-year-old Johannes Albert and Book Designer Helmut Stabe designed and realized the pencil concept for Mitteldeutscher Verlag Publishers.
The pencils function as giveaways, as decorative objects and as parts of the construction of the booth. The idea is that the visitors can decide to take a pen, alter the display, or leave it all as is. 315 of the pencils actually held the perforated boards in position while others functioned as wall stands for the books. - Tuija Seipell.
see also Matt Bilfields - Peggy
Macquarie investment bank’s new harborside office building, One Shelley Street, at King Street Warf in Sydney has been collecting accolades and awards for not only architecture and design but also for environmental sustainability and workplace functionality.
The main players in the team behind the building are Sydney-based Fitzpatrick & Partners, responsible for the design of the actual building, and West Hollywood’s Clive Wilkinson Architects that led the design team in the interior design and outfitting with Woods Bagot as the local executive architect.
Apart from the obvious visual appeal of the 10-storey office space, particularly impressive is Clive Wilkinson’s execution of the idea of using design as a key component in causing change — in encouraging and facilitating a new way of working. Macquarie wanted to adopt a new collaborative working style — Activity-Based Working (ABW), a flexible work platform developed by Dutch consultant Veldhoen & Co. — and the new office facility would play an important part in making this happen.
Macquarie’s 3,000 employees now work in an open and highly flexible space where, for example, in the 10-storey atrium, 26 various kinds of ‘meeting pods’ create a feel of ‘celebration of collaboration’ and contribute to openness and transparency.
The interior staircases have already reduced the use of elevators by 50%, and more than half of the employees say that they change their workspaces each day, and 77% love the freedom to do so.
We like Wilkinson’s own description of the result: “. . . a radical, large-scale workplace design that leverages mobility, transparency, multiple tailor-made work settings, destination work plazas, follow-me technology, and carbon neutral systems. The result is part space station, part cathedral, and part vertical Greek village.”
Clive Wilkinson Architects is known for creative workplaces. Their clients include ad agencies such as Mother, JWT and TBWA\Chiat\Day, and technology firms in the Silicon Valley and Nokia in Finland. - Tuija Seipell.
The night scene in Phuket, Thailand, changed permanently last fall, when SOUND Phuket night club opened. The launch night audience included the who-is-who of local and international jetset elite, and the vibes have only improved since.
Located on the third floor of the Jungceylon shopping and entertainment complex in the Patong resort, SOUND can accommodate an impressive 700 clubbers.
It is part of the stable of upscale boutique hotels, destination restaurants, clubs and bars conceptualized and operated by the Bed Management Company, the group behind the popular Bed Supperclub in Bangkok that opened seven years ago.
SOUND’s design theme, realized by Orbit Design Studio (Bangkok, London and Tokyo) in association with Bed Supper Club, is the human ear in all of its super-human awesomeness, so everything in the interior is rounded, curved and tubular. While mimicking the human body, the SOUND environment with its intense audio and visual effects offers a surreal, out-of-body sci-fi experience.
The walls and décor contribute integrally to creating a superior acoustics and audio environment. The fantastic lighting, designed by Inverse (London and Bangkok) uses the latest club lighting technology. One of the central attractions is the bar lit by a stunning 19-meter graphic equalizer LED screen that is synchronized to the music that ranges form electronic music, hip-hop and R n' B to house depending on the DJ and the theme of the night. - Tuija Seipell