Whatever Parisian pastry chef extraordinaire, Philippe Conticini, does gets noticed. His talent for creating desserts that are art in all meanings of the word has found yet another expression this September when he unveiled his latest creation, La Pâtisserie des Rêves (the patisserie of dreams), in the chic 7th arrondissement in Paris. Nothing in the design of the sleek 29 square-meter boutique is reminiscent of a traditional European konditorei. Most strikingly, the stars of the space — the desserts, cakes and pastries — are displayed on a round platform in the center. Each of the 15 culinary masterpieces is presented under its own temperature-controlled glass bell suspended from the ceiling. Customers order their selection from the staff, after which each order appears directly from the kitchen. Both ideas evoke the feel of a meticulous laboratory where precious specimens are handled. Conticini has been in the culinary limelight for more than two decades with his own TV show, several books, restaurants and awards. - Tuija Seipell
There’s no question rap music is in the midst of a major sea change. The jeans are getting tighter, the hoodies brighter. Gangsta is out, hipster is in, and those who don’t adapt are told they’re becoming obsolete. The fresh wave is young and ambitious, full of entrepreneurial spirit whilst spitting about SEGA and sneakers.
But away from the bum rush of hipster rap is a cleaner, more precise alternative.Throughout its reinventions, hip hop’s party trick has been its continued relevance as a medium for social and personal commentary, and it’s in this realm that 5 0’Clock Shadowboxers exist. This is soul-searing music, full of coiled aggression and biting humor. Shadowboxers’ rapper, Zilla Rocca, will laugh about the absurdity of it all one moment, and king hit you for not caring enough the next.
And he careens over some of the most carefully deployed sampology this side of a RJD2 record. Blurry Drones has grafted enough vinyl ammunition for three rap records and then crammed it all onto one. But this isn’t scattershot producing – throwing licks until one sticks – it’s precision work, carefully folded together for maximum effect. This is hip hop front-end loaded with killer instinct and a desperate perspiration. 5 O’Clock Shadowboxers are trapped in the dark corners of soul and society, and have just offered you a front row ticket as they fight their way out. – Matt Shea
Germain is a Parisian restaurant in a newly revitalized space at 25-27 rue de Buci in the 6th Arrondissement. The prolific, Iranian–born and Paris-based architect, India Mahdavi, created the interior architecture of the three-storey, funky establishment.
The most striking feature of the space is a massive yellow sculpture of a woman in an overcoat and high heels. Its lower half stands on the café’s first floor while the upper body and head break through the ceiling to the upper level VIP lounge area. The sculpture is one of three that the multi-disciplinary, Paris-based artist, Xavier Veilhan, made of his friend Sophie for an exhibition at the Emmanuel Perrotin Gallery (Miami) in 2006.
When Thierry Costes, scion of the Parisian hospitality family that owns Germain, asked Veilhan to contribute to Germain, Veilhan studied the multi-storey location and envisioned the drama that would be created if one of his Sophies “grew” in it, almost as if it were a feature that pre-existed the restaurant.
The Costes family is no stranger to using the talent and drawing power of well-known designers and artists in its hotels, restaurants and cafés. The fact that the 36-year-old Veilhan’s sculptural installation work has a prominent presence currently at Versailles cannot but help attract customers and the curious to the left-bank location of Germain. - Tuija Seipell
Mini goes Fluro with Neon wraps by TCH - Have you entered our Mini design contest? - do so here
Mini Neon by TCH Design
It seems that quite a few things will benefit from a Scandinavian touch. Munchausen, a duo formed by Parisian designers Simon Pillard and Philippe Rosetti, took a bold approach with their own kitchen by venturing to IKEA for the basic kitchen island and then spending the next week covering it with more than 20,000 pieces by another Scandinavian brand, Lego
The result is a one-of-a-kind creation that serves as an artistic centerpiece for the space, in addition to functioning as a kitchen counter. Pillard, who works with fashion house JC de Castelbajac, and Rosetti who works with Hugo Boss France Identity, formed Munchhausen in 2004.
The two have recently contributed a collection of T-shirts, cushions, wallpaper and accessories for the new French label Commune de Paris, 1871. Munchhausen was one of three initial contributors for Commune de Paris, 187. The other two were Julien Langendorff and David Herman Dune. - Tuija Seipell.
See also the Lego office table
In 2004, fashion designer Idit Barak opened her tiny 34 square-meter store Delicatessen in her native Tel Aviv, Israel. Barak’s store fit right in with the designers, artists, boutiques and coffee shops that were slowly turning the Gan Hahasmal (=Electric Garden, named for Israel’s first power station opened in 1923) neighborhood funky after its unofficial role as Tel Aviv’s red-light district for some time.
Delicatessen drew design and fashion media attention not just for Barak’s cutting-edge fashions but also for the cool but bare-bones interior. With a measly $3,000 budget, New York-based architect, Z-Astudio created the interior and displays in the two-storey-high space using two main elements — cardboard tubes (from inside fabric bolts) and linoleum, draped like fabric around displays.
Now, five years later, Gan Hahasmal is one of the coolest destinations for Tel Aviv’s fashionable and funky, and Zucker has recreated Delicatessen’s interior magic, this time with a $10,000 budget. Starting from the same philosophy of “more design, less material” Zucker’s team continued the idea of “draping” but this time it took the form of robing the entire space in white, custom-perforated, back-lit pegboard. The white board provides a lacy background for the fashions, and the board’s functionality gives unlimited display flexibility. Yellow paint indicates glimpses of the space’s “undergarments,” and recycled and found furnishings and accessories complete the eclectic look.
The 34-year-old Barak spent nearly a decade in New York, studying at the Fashion Institute of Technology and later learning with illustrator Ruben Toledo and fashion designer Isabel Toledo, and with at Norma Kamali. Idit Barak’s Delicatessen line is sold in boutiques across Israel and in New York. - Tuija Seipell
On approach, the entrance looks like a cave formed by rendered concrete walls. Only the slight and irregular black window frame insertions appear to allow light into the house. But within, light falls through the double-story void from above in all directions.
Light cascades down oak and white plastered surfaces. It washes over limestone and marble, illuminating art, furniture and every handcrafted and natural surface throughout the house.
The focal point and central pivot of the house is a sculptural circular stair. This transitional element divides the entire double-storey space as it stretches out under a steep exterior site.
Curved surfaces play against rigid lines in a style that the architects describe as ‘archaic’ – an effortless blend of both the primitive and artistic. Materiality was the primary factor in the selection of timbers, stone and every other interior feature.
The house is sited south of the Yarra River in one of Melbourne’s many beautiful neighbourhoods. The team of architects won an Architecture Award for Interior Architecture at the 2009 Victorian Chapter Awards. - Andrew J Wiener
Painting on wall on image 3 is from artist Song Ling.
Paleoanthropologist Erik Trinkaus purports that man started wearing shoes between 26,000 and 40,000 years ago. The average American woman today is said to own 27 pairs of shoes. This is all interesting stuff if shoes are your passion — as they are for Maecenas Dirk Vanderschueren, owner of Cortina, one of the world’s largest shoe manufacturers.
To share his passion Vanderschueren created a “shoe experience” SONS – Shoes Or No Shoes in Kruishoutem (Cruyshautem), in East Flanders, Belgium, about 70 kilometers (40 miles) from Antwerp and Brussels, and close to Cortina’s hometown of Oudenaarde.
SONS consists of three collections. The Ethnographic Collection, amassed by former shoe distributor William (Boy) Habraken, includes 2,700 pairs from 155 countries and is acknowledged by the Guinness World Records as the largest collection of tribal and ethnological shoes.
Antwerp-based shoemaker couple Veerle Swenters and Pierre Bogaerts contributed the Modern Collection -- some 1,200 pairs acquired from artists, many of whom customized the shoes, evoking the question: Are they art or shoes? Shoes or no shoes?
The Designer Collection, also accumulated by Habraken, showcases unique footwear form 20th-century and contemporary designers including Salvatore Ferragamo, Christian Louboutin and Manolo Blahnik.
SONS is housed in a building designed and built by gallery owner Emile Veranneman and architect Christiaan Vander Plaetse in 1973. Architects Lode Uytterschaut and Johan Ketele revamped the structure for the constantly growing shoe collections. Outside, they covered the building with lead and inside, they created an unpretentious warehouse look using industrial shelving systems and almost no color. - Tuija Seipell
Street style blogs are one of the great online phenomena of the past decade. They have become a core reference tool for fashion houses and designers who monitor them for global inspiration and to learn how trends are being adapted on the street - and all without leaving their desks. Yvan Rodic, the photographer and creative behind the facehunter, gives the reader a window into the edgier side of street style. Rodic cut his street-styling teeth at The Cool Hunter, where he delivered many unique moments of inspiration direct from the pavement; the kinds of startling images that eluded many of the other most popular style blogs.
His latest venture is a new site, proudly under his own name - Yvan Rodic. Essentially a travel diary, Rodic documents the interesting people he meets in all sorts of places. We know we're biased but we believe Rodic's talent extends beyond the camera lens.
His eye for inspiration and cool is so finely honed that he could apply it to anything - be it design or art direction. The new Hedi Slimane perhaps? Maybe. WATCH this space. - Bill Tikos
Elegant, calm, minimalist, clean and beautiful are among the adjectives that can be used to describe almost all of Marcio Kogan’s much-publicized and much-awarded residential masterpieces.
The magnificent, streamlined residences must serve as an antidote of some sort to the Brazilian architect who has been quoted as saying that he loves his home town of São Paulo and New York because they are similar in their chaotic ugliness, and because he likes “energy, chaos and a multi-cultural population in a city.”
Out of this chaos-, humor- and cinema-loving creative mind, an astonishingly lovely, peaceful balance is projected onto residential projects.
Reviewers of Kogan’s work often mention Ludwig Mies van der Rohe, Frank Lloyd Wright or their contemporaries, but Kogan has said that he is more inspired by Ingmar Bergman, Federico Fellini and Andy Warhol.
However, the 57-year-old Brazilian-born and educated Kogan does have a modernist approach, and he has described the work of fellow Brazilians of modernist ilk -- Lucio Costa, Oscar Niemeyer, Lina Bo Bardi and Vilanova Artigas – as incredible.
The Paraty House, pictured here, is located on one of the hundreds of islands near the colonial town of Paraty, close to Rio de Janeiro. Before it was completed, Kogan predicted that it was to be his favourite house. Its simple premise is two large drawers pushed into the hill and connected by an internal staircase.
Its elegance comes from the seamless link between indoors and out, from the use of native wood, stone and vegetation, and from the minimalist, sweeping vistas that make so many of Kogan’s houses appear as if they were either taking off or recently landed. And although the stacked-boxes style is starting to wear thin as style-du-jour, this is surely one of its best examples. - Tuija Seipell