






Golf and drab are synonyms, right? And the mere mention of Golf and Country Club makes you run. Away. Fast. Golf may indeed have a bit ofan image problem but that did not deter the 'rich-based' Smolenicky & Partner Architektur when they were retained to work on the expansion of the venerable Sempachersee Golf Club located near Lucerne in Switzerland.

In addition to the new club house-restaurant building and the newmaintenance building, both of which Smolenicky designed, the expansionincluded a second 18-hole golf course. All of this has made Golf Club Sempachersee the largest golf club in Switzerland and, quite likely,the club with the coolest club house.

In their approach to the club house, Smolenicky sought to manifesttwo things: what they call the country character of the golfing culture of the Sempachersee course - and the course's worldly sophistication. They took their design cues from the rural warmth of a timber barn and the clear lines of a Maserati sports car. The resulting building, the sleek and minimalist interior, and themagnificent 180-degree panoramic views of the Sempachersee lake and theAlps might just be reasons enough to give golf another chance. Or, atthe very least, rethink what a golfing environment could look like. By Tuija Seipell


Karl Largerfeld never puts a pedicured foot wrong and hispresentation for Chanel at this week's Couture shows proves that he isstill one of the most innovative and creative minds on the planet. Largerfeld unveiled his collection amid an extraordinary 50-foot setmade up of steel-grey tubes inspired by organ pipes. Lagerfeld worked the tubes theme into the collection, showing tubular shapes in severaldifferent manifestations.
Lagerfeldis one of the masters of catwalk theatrics, dreaming up incrediblelarger-than life sets that seem to get more elaborate each season. Forsome of the best of recent shows check out Runaway Runway Success. By Lisa Evans via Fashionation

The World's Coolest Hotel Rooms - the first in a series of the cool hunter-branded books has just been published by Harper Collins Publishers (US). Next in the line will be The World's Coolest Houses, The World's Most Creative Work Environments, The World's Most Innovate Retail Stores, The World's coolest kids spaces/playgrounds and a few other special book projects.


Ah Presets, you haven't let us down. When a pre-release copy of The Presets new album 'Apocalypso' landed on the Coolhunter desk last week, it was with great anticipation that we gave it a first spin. And Bam! straight away, it hit us - that crispness of sound, Julian Hamilton's semi-comatose delivery and the wailing synths - it was indeed The Presets we have come to know and love. 'Apocalypso' is a more complete album than its predecessor 'Beams', the songs more fully formed and subtly layered.
With the pounding 'My People' a club staple for months now, the album's second single 'This Boy's In Love' has all the hallmarks of glittering synthpop classic with its rising verses and dream-like chorus backed by tear-drop piano keys. Elsewhere, 'If I Know You' sails by on skittering hi-hats and while Hamilton croons atop pulsating bass. On the album closer 'Anywhere', The Presets get emotional as sparse four-to the floor drums and empty vocals get overtaken by bouncy synth stabs and a New Order-esque, lighters-in-the-air crescendo.
The new album 'Apocalypso' drops on April 12, followed by a world tour. It's going to be a monster year for The Presets. By Nick Christie.
www.myspace.com/thepresets



It is risky to try to express luxury for an 18-28-year-old, wealthy male audience - and not turn them totally off. Rafael de Cardenas of New York's Architecture at Large took on this challenge with the rebuilding of Ubiq Philadelphia, the destination of choice for sneakerheads from far and wide.
As sneakers and streetwear do not lend themselves all that well to wine-colored velvet or chandeliers, de Cardenas approached the redesign of the large store with a cold and bold, simplified black-and-white palette. Hard, black-lacquered surfaces, op-inspired patterns, harsh lighting and simplified displays mix with beautiful detailing and white ceilings and floors.

Thrown into the mix is a posh back room, where streetwear is displayed in a traditional gentlemen's tailor room complete with dark-wood panels, antique furnishings, restored Victorian plasterwork and a magnificent, restored mahogany fireplace. It is all a nice fusion of mansion and showroom, inviting and cold, pared-down and rich. With his approach, de Cardenas has managed to teeter in the wobbly middle-space between the reassuring - 'you can tell this is expensive, can't you?' - and the nonchalant 'I don't really care.'

The entire store is up about a meter from street level, so you can be assured that you are seen, day or night, on display, shopping for your latest pair of Clae, Stussy Deluxe, Vans Vault, Original Fake, UMBRO by Kim Jones and many others. Apparently, rap artist Kanye West has shopped there, so it should be good to go for the rest. By Tuija Seipell
