You know how good you feel when you have just tidied your workspace, and how much more organized and productive you seem to be. Do great surroundings affect other areas of life as well? For example, if school meals were served in well-designed and good-looking spaces - could this encourage healthy eating and improve the well-being of students?
That was the theory behind a pilot project of The School Food Trust, a government body in the UK chaired by Michelin-starred chef, writer and entrepreneur, Prue Leith. The Trust aims to improve the quality of school food and to promote the health of children and young people.
The Trust has been working with students to gain an understanding of the importance of the lunchtime environment. The goal is to create new school dining environments across the UK.
A pilot project - The Applemore College Canteen (or ACC as it has been rebranded) - was recently completed at Applemore Technology College in Southampton, where on a tight budget of £55K, the once-dull and lifeless dining hall was transformed into a buzzing eatery and hang-out space, extremely popular among the students.
Designed by renowned architects SHH, the 4,000-square-foot interior now has a relaxed cafeteria feel with areas zoned for eating and for casual hanging-out. The ACC’s innovative features include hanging graphic panels which help absorb noise, and an industrial feel and striped motif inspired by Manchester's popular Hacienda club.
“This pilot project proves that well-designed and suitably equipped kitchens and dining areas are solid investments for the future and contribute significantly to the whole school approach to healthy lifestyles and to the overall success of the school,”says Barbara Roberts, Delivery Manager at The Trust.
Clearly, you don’t have to be a trendy bar, a boutique hotel or the pop-up store of the moment, to create positive buzz. This project shows that with some well thought-out ideas and innovative planning, even the dullest of spaces can be transformed. And at reasonable cost. - Brendan McKnight
Reflection of Mineral is a 480-square-foot (about 45 square meters) residence located in downtown Tokyo’s Nakano ward. Designed by architect Yasuhiro Yamashita Reflection of Mineral has received wide architecture and design media attention and numerous international awards.
Depending on viewpoint, the house looks like a bulky camper van about to take off. Or it seems to be the result of a giant’s frustrated attempt to fashion a house from a square box. Realizing that the site is too small and the wrong shape for his house, the giant just stuffed the house into the site by force. The whimsy of this beautiful residence is a big part of its charm. At the same time, the house is also an elegant expression of modern Japanese minimalism, and an example of brilliant use of a sparse site, a requirement in the tight space of downtown Tokyo.
Also beautiful is the way in which the interior appointments — the lines of the bathtub, the curves of the waste bins, the wavy length of the utilitarian shelves — respond to the lines of the building. This makes the interior seem larger and much less boxy than one would assume from the outside.
Yasuhiro Ymashita who was born in Kagoshima in 1960. He established Atelier Tekuto in Tokyo in 1991. - Tuija Seipell
Marcio Kogan’s Panama House is a residence designed for art. Located in São Paulo, Brazil, the house makes a powerful but subdued statement in its low, open, elongated elegance — a hallmark of Kogan’s architecture.
In the past few years, the award-winning, Brazilian-born architect’s Studio MK27 has produced a steady stream of low-rise, boxy work – all with an uncanny intimacy, yet without any of the usual stuffy treatments that supposedly create intimacy.
At the Panama House, there are no cozy nooks, no soft furnishings, no homey touches. And yet, there is a feeling of comfort and livability in this art-gallery-of-a-house that makes you want to move in tomorrow.
All levels of the three-storey house — including the bedrooms, office, gardens and patio — are used to display the owner’s substantial collection of predominantly modern Brazilian art and sculpture.
An uninterrupted connection between inside and out makes the entire space seem unlimited, translucent, as if without walls, although the structure is essentially a wooden box inside a C-shaped concrete cask made of cement slabs and a wall.
The sliding vertical wood lathes that form the brise soleils for each room’s facade, are also an important part of establishing the prevailing openness. The brise soleils also provide comfort and privacy, and enable the control of the artworks’ exposure to direct sun.
Most beautifully, they also create the soft play of light that matches the overall linear shapes — created by creases in window treatments, the floor boards, the rows of pillows on long sofas, the stone work outside — continuing the elongated language of the entire building.
The São Paulo-born architect Marcio Kogan graduated from Mackenzie University in 1976 and created films until the age of 30. His considerable talents of creating drama, understanding a setting and leading the eye are certainly evident in the award-winning Panama House. - Tuija Seipell