Golf and drab are synonyms, right? And the mere mention of Golf and Country Club makes you run. Away. Fast. Golf may indeed have a bit ofan image problem but that did not deter the 'rich-based' Smolenicky & Partner Architektur when they were retained to work on the expansion of the venerable Sempachersee Golf Club located near Lucerne in Switzerland.
In addition to the new club house-restaurant building and the newmaintenance building, both of which Smolenicky designed, the expansionincluded a second 18-hole golf course. All of this has made Golf Club Sempachersee the largest golf club in Switzerland and, quite likely,the club with the coolest club house.
In their approach to the club house, Smolenicky sought to manifesttwo things: what they call the country character of the golfing culture of the Sempachersee course - and the course's worldly sophistication. They took their design cues from the rural warmth of a timber barn and the clear lines of a Maserati sports car. The resulting building, the sleek and minimalist interior, and themagnificent 180-degree panoramic views of the Sempachersee lake and theAlps might just be reasons enough to give golf another chance. Or, atthe very least, rethink what a golfing environment could look like. By Tuija Seipell
Karl Largerfeld never puts a pedicured foot wrong and hispresentation for Chanel at this week's Couture shows proves that he isstill one of the most innovative and creative minds on the planet. Largerfeld unveiled his collection amid an extraordinary 50-foot setmade up of steel-grey tubes inspired by organ pipes. Lagerfeld worked the tubes theme into the collection, showing tubular shapes in severaldifferent manifestations.
Lagerfeldis one of the masters of catwalk theatrics, dreaming up incrediblelarger-than life sets that seem to get more elaborate each season. Forsome of the best of recent shows check out Runaway Runway Success. By Lisa Evans via Fashionation
The World's Coolest Hotel Rooms - the first in a series of the cool hunter-branded books has just been published by Harper Collins Publishers (US). Next in the line will be The World's Coolest Houses, The World's Most Creative Work Environments, The World's Most Innovate Retail Stores, The World's coolest kids spaces/playgrounds and a few other special book projects.
Ah Presets, you haven't let us down. When a pre-release copy of The Presets new album 'Apocalypso' landed on the Coolhunter desk last week, it was with great anticipation that we gave it a first spin. And Bam! straight away, it hit us - that crispness of sound, Julian Hamilton's semi-comatose delivery and the wailing synths - it was indeed The Presets we have come to know and love. 'Apocalypso' is a more complete album than its predecessor 'Beams', the songs more fully formed and subtly layered.
With the pounding 'My People' a club staple for months now, the album's second single 'This Boy's In Love' has all the hallmarks of glittering synthpop classic with its rising verses and dream-like chorus backed by tear-drop piano keys. Elsewhere, 'If I Know You' sails by on skittering hi-hats and while Hamilton croons atop pulsating bass. On the album closer 'Anywhere', The Presets get emotional as sparse four-to the floor drums and empty vocals get overtaken by bouncy synth stabs and a New Order-esque, lighters-in-the-air crescendo.
The new album 'Apocalypso' drops on April 12, followed by a world tour. It's going to be a monster year for The Presets. By Nick Christie.
It is risky to try to express luxury for an 18-28-year-old, wealthy male audience - and not turn them totally off. Rafael de Cardenas of New York's Architecture at Large took on this challenge with the rebuilding of Ubiq Philadelphia, the destination of choice for sneakerheads from far and wide.
As sneakers and streetwear do not lend themselves all that well to wine-colored velvet or chandeliers, de Cardenas approached the redesign of the large store with a cold and bold, simplified black-and-white palette. Hard, black-lacquered surfaces, op-inspired patterns, harsh lighting and simplified displays mix with beautiful detailing and white ceilings and floors.
Thrown into the mix is a posh back room, where streetwear is displayed in a traditional gentlemen's tailor room complete with dark-wood panels, antique furnishings, restored Victorian plasterwork and a magnificent, restored mahogany fireplace. It is all a nice fusion of mansion and showroom, inviting and cold, pared-down and rich. With his approach, de Cardenas has managed to teeter in the wobbly middle-space between the reassuring - 'you can tell this is expensive, can't you?' - and the nonchalant 'I don't really care.'
The entire store is up about a meter from street level, so you can be assured that you are seen, day or night, on display, shopping for your latest pair of Clae, Stussy Deluxe, Vans Vault, Original Fake, UMBRO by Kim Jones and many others. Apparently, rap artist Kanye West has shopped there, so it should be good to go for the rest. By Tuija Seipell
Mark our words: skinny legs are on their way out. Hard to believe, we know, given that every hipster from Hobart to Helsinki is sporting licorice legs right now but the tide is slowly turning, thanks to the world's top designers who have decided that they've had enough of the look. Enter Prada, who are still setting global trends and leading the way in true fashion innovation, despite being a global mega brand (which usually spells one thing: boring). The brilliant fashion house is on a mission to bring back seriously voluminous "flares," but with a fabulous signature quirky Prada twist in the form of lavish fabrication and intricate prints. Not for the faint-fashion hearted.
Still with Prada, parts of their beautiful new shoe collection look as if they have slipped straight out of a Salvador Dali painting or some other strange alternative universe where there are no design rules. We love the decorative heels, which look more like pieces of grand, hand-carved furniture than a pair of pumps. They're almost too good to wear. By Lisa Evans
Weï¿½re constantly in awe of the incredible ideas coming out of the world of retail and hospitality interior design. Over the last few years we've seen an influx of creative new minds enter the field who are redefining the concept and making their own rules. The latest inspiring example of innovative interior commercial design is the new Maedaya Grill & Sake bar in Melbourne, created by local design firm, Architects Eat. The sushi restaurant's interior, mostly 'bound' by ropes, demonstrates the possibility of using ordinary recyclable material for hospitality projects without compromising sophistication.
The rope idea originated from the classic design of sake bottles, which are traditionally secured with ropes. The principal materials for this project are Manila ropes, timber and concrete, all reflecting natural elements such as vegetation and earth.
EAT took a different path with the first-floor function room, which is in stark contrast with the ground-floor 'rope' room. Here they have created a modern, minimalist space with white-washed walls, Japanese black-stained timber flooring, simple timber benches and raw stainless steel canopies. By Lisa Evans.