Do & Co Hotel is located in Vienna's District 1, on the pedestrian-only Stephansplatz, right in the middle of the most historic part of this mindbogglingly historic city. The hotel of 41 luxurious rooms and two suites opened in May on the sixth floor of the famous, glass-walled Haas Haus building, but it is the view that really takes your breath away. What you see from the Haus is a straight-on, full-size, real-life panorama of St. Stephen's Cathedral -- Stephansdom -- that has defined Vienna since 1147 AD. It is the sound of this Cathedral's massive Pummerin (big bell) that announces the official arrival of the New Year in Austria.
The original Haas Haus building was a furniture and interior decor store, Philipp Haas & Sons. Several reconstructions later, the grand-daddy of modern Austrian architecture, Pritzker prize winner Hans Hollein, designed the current glass-steel-concrete structure. It opened in 1990 with notable disapproval by traditionalists. Hollein was also behind the latest upgrade that included the Do & Co hotel.
Do & Co, the hotel's holding company, is known worldwide for its first-class airline and event catering business and its Do & Co Restaurants and Cafes. In the Haas Haus, it operates also Vienna's hot spot, the ONYX Bar (pictured above) on the 6th floor, and Do & Co Restaurant (7th floor), plus luxurious event space on the 8th and 9th floors with amazing views over Vienna.
The heritage of the company's Istanbul-born founder and majority shareholder, Attila Dogudan, is reflected in the colorful touches interspersed in the Do & Co hotel interior by Amsterdam-based FG Stijl. The firm's partners, British Colin Finnegan and Dutch Gerard Glintmeijer, have managed to unite Dogudan's Turkish heritage and Vienna's prissy past with understated modern luxury. Your room will come equipped with Kilim bedspreads, chocolates from Viennese confectionary institution Demel (also owned by Do & Co), and a Bang & Olufsen flat screen TV. By Tuija Seipell
Matthew Williamson was called 'the king of bling' by the Sydney Morning Herald for a reason.
Since his London debut in 1996, one thing has remained constant: Williamson's models will sparkle. His 2003 spring collection saw gold-sequined blouses and brocade jackets, while the fall of 2005 line had shiny velvets and satins and the fall of 2006 featured shimmering gold and silver jumpers, to name a few.
The trend continued most recently during February's New York Fashion Week. Williamson paraded his traditional flashy jewel-hued mini minis and doll-sized dresses - but this year there was also a noticeable smattering of fashions to file under - the bigger the better. Models processed down the runway in gaping shorts and trousers that were paper-bag-synched at the waist, as well as tent-sized sparkly muumuus and necklaces boasting fist-sized shell pendants. The most innovative of these enormous fashions could be credited to the pioneering of jewellery designer Scott Wilson.
Wilson and Williamson are both decorated alumni from the UK's finest art institutions. Wilson studied jewellery design at Middlesex Polytechnic and millinery at the Royal College of Art while Williamson began his career at star-spangled Central St. Martins. Both designers earned coveted fashion positions early in their careers. Immediately after graduation Williamson began working for Marni, while Wilson earned employment with Karl Lagerfeld as an undergrad. Williamson eventually went on to launch his own successful eponymous line. On the other hand, Wilson has garnered much of his renown through his collaborative efforts with showstoppers Burberry, Rifat Ozbek and Hussein Chalayan in particular ï¿½ though he continues to maintain his own jewellery line. As Wilson explained to the International Herald Tribune, 'One-off pieces are the ultimate expression of my work, but they can be very time-consuming.'
In their collaboration, Wilson clearly embraced Williamson's predilection for shine with his jewelled bracelets, which are evocative of bedazzled bocce balls. The enormous bangles were seen on the lanky limbs of Hilary Rochas and Maryna Linchuk during Matthew Williamson's parade of jewel-colored frocks at New York Fashion Week in February. According to Fashion Wire Daily, Wilson's 'sequined bracelets [were] a deft accessory addition to a collection that underlined how British designers stint showing in America has helped him mature into a producer of highly wearable, yet always hip, clothes.'
The funky though undeniably glamorous bracelets have most recently been spotted cuffing the delicate wrists of Mischa Barton on the cover of UK Elle. The bracelets are custom-made, and available to the most audacious of luxury collectors for a mere $900 each. Contact the creator himself at (TK Scott Wilson's email address). By L. Harper
Retro video game iconic heroes have been making a come back for some time now. From T-shirts through to shoes, we have seen the likes of Mario, Donkey Kong and dare we say their rival, Sega's Sonic The Hedgehog plastering their pixelated faces all over some funky wears.
Hot on the heels of this fad, gaming giant Nintendo have promoted their latest baby Wii in Italy with this interesting wall display created by a series of posted notes. Behind each not lies a message inviting the recipient to relive the 80's through some classic games available on Wii. The post it notes make a nice 3D representation of a 2D pixel. Cute. By Andy G
If decidedly unfashionable cuckoo clocks, Tyrolean kitsch and yodeling form your memories of Austria, update your impressions next time you are in Innsbruck. It is hard to not look up in Innsbruck, the provincial capital of Tyrol, with the Nordkette Mountains hulking all around. But focus a bit lower and zero in on the new Town Hall. The Dominique Perrault-designed building is on the Old Town’s (Altstadt) main artery, the 17th century Maria-Theresien Strasse.
Go up to the rooftop Lichtblick Cafe (also by Perrault) and marvel at the magnificent 360-degree views. The place is fashionable, sleek and definitely void of Alpen-kitsch. The walls are floor-to-ceiling glass and the roof is a translucent membrane allowing daylight through. At night, the entire cafe looks like a large glowing lighting fixture in the sky.
The 54-year-old Perrault is highly regarded for his ability to allow landscapes to be transformed but not interfered by his buildings. His notable upcoming projects include the EWHA Women’s University in Seoul, Korea (2008), the new Mariinski Theatre in St. Petersburg, Russia (2009), and the Olympic Tennis Centre in Madrid, Spain (2009). By Tuija Seipell.
Emma Hope has come a long way from the overbearing florals of Laura Ashley fashions. After designing and manufacturing six collections with the company, Hope jetted on to bigger and better things - namely, her eccentric Emma Hope collection.
Since the commencement of her designing efforts, Hope has garnered five Design Council Awards, the Martini Style Award, and the Harpers & Queen Design Award. Hope's eponymous collection began solely with shoes - footwear could be considered Hope's forte, she's designed shoes for Paul Smith, Anna Sui and Mulberry. Hope later expanded her offerings to include handbags with quirky creations like a henna suede tote bag with delicate floral silhouettes carved out of its base, or a pair of men's white leopard print sneakers fashioned from ponyskin .
The designer's most eye-catching number is easily a velvet sneaker bag which offered in bright hues of violet, gold and fuchsia, among others. The unlikely juxtaposition of luxurious velvet to hold your sweaty workout ensembles seems a perfect fit for the celebs who emerge daintily coiffed - with nary a bead of sweat - after hours-long training sessions. And for the obsessively coordinated amongst us, Hope even offers matching "Magic Basket" sneakers, which are swathed in the same unlikely shades of velvet. These indulgent workout fashions are available at either of Emma Hope's three shops in London (Sloane Square, Westbourne Grove and Islington) as well as 150 additional stores, including Neiman Marcus, Bergdorf Goodman and Harrods. By Harper Walsh
Yes, we all saw Lost In Translation and thought, ‘hang on a minute, if Bill Murray can seduce Scarlett Johansson by singing ‘More Than This’ then maybe we could too!’
Let’s face it, karaoke has always been the butt of bad movies, and its reputation is currently languishing somewhere between Japanese businessmen necking methylated spirit and hen parties ‘cutting loose’.
But recently, it has started to reclaim its cult status from half-tanked brides-to-be, and become a little bit more palatable. This new karaoke bar has been quietly, or rather, loudly, winning acclaim for its alternative approach to the nation’s favourite pastime.
Rather than the dark booths of your standard karaoke club, this new private members’ sing-along has incorporated young artists to help liven up the interior. Think Manga cartoons but with a Lichtenstein edge.
Each booth has its own distinctive decor, and every surface has a graphic to reflect the spaces they fill. Which is a far cry from the matted walls and vinyl floors some bars choose. And most of all, it’s members only, so there’s no need to worry about being harassed by a woman with oversized fairy wings stuck to her back. By Matt Hussey.
Roadside billboard ads set out in consecutive order to deliver their message are nothing new. However when the message is as poignant as this campaign, drivers sit up and notice.
Using the old flick book art form of animation and motion the individual images create a fast moving clip to a driver speeding by them at high speeds. Quite literally, for a speeding driver life can flash by them in a split second. By Andy G