Music

April 2 2007


Crystal Castles, the Toronto two-piece, are the remix artist of now.  The first sniff of their mastery came in the remix of The Klaxons’ Atlantis to Interzone’ - a blippy, abrasive entry into their electronic wonderland.

Then came the Castles’ remix of the Goodbooks’ ‘Leni’ which turned the original guitar pop goodness into a future-pop masterpiece.  ‘Leni’ hinged on the pitch-shifted central vocal, reminiscent of Karin Dreijer from The Knife. Underneath the vocal, the track chugs along on the back of a hi-res synth loop and Super Mario keyboard squelches. It’s the sound of a couple, madly in love, freebasing orange sherbet. 

The nadir of the Castles’ discography is the remix of The Little Ones’ ‘Lovers Who Uncover’. Opening with the desperate cry of, ‘Where do all the lovers, meet with one another?’, the track again centres on a haunting central vocal and a driving low end. The arpeggio makes you feel like a kid staring through a kaleidoscope and the voice rattles up and down, building intensity then releasing into the distance with an ecstatic ‘ooooh’. 

While their original work is yet to reach its potential, their remixes are enough to make you dream of a future musical world ruled by Crystal Castles. I Heart CC. By Nick Christie

myspace.com/crystalcastles





Music

March 28 2007

Every once in a while, a song comes along that flattens you.  The kind of song that make you pull the car over, turn the engine off and wrench up the volume. Right now, Gui Boratto's 'Beautiful Life' is that song. 

Gui Boratto is a Brazilian architect/musician/composer/producer and his new album 'Chromophobia' will likely be the first you've heard of Brazilian electronic music. In short, it's bliss.

'Beautiful Life' is the album's clear standout, the kind of song that's as much pure pop as it is electronic. As the female vocal repeats, 'What a beautiful life, what a beautiful life', Boratto brings a heartbeat to the often metronomic precision of synthesizers, lifting them up euphorically as the song builds in pulsing, melodic waves.  Running at over eight minutes, you might imagine things dragging on too long. But as the beat whirrs to a close, you'll be reaching for the repeat button, wishing that the 'Beautiful Life' would never end. By Nick Christie

www.myspace.com/guiboratto

Architecture

March 28 2007




Do not let the IKEA-yellow exterior fool you — the multifunctional Agora Theatre, is not displaying home furnishings, but bustling with performances and new media works. It is located in Lelystad, the capital of the province of Flevoland in the Netherlands. The city, established as recently as 1967 and known for its controversial and forward-thinking city planning, is boldly building its center, the Centrale Zone, according to a master plan by West 8. In turn, West 8 is known for planning a vast array of exciting 'cityscapes', including a luxury village near Moscow and the waterfront revitalization project in Toronto.
 
The Agora Theatre building is the work of UN Studio, a group with theater, museum and art establishment expertise. The building itself is worth a visit, even if no performances were taking place (previews are already taking place). The tranquil cafe, open during the day, offers beautiful views of the square outside. The startling pink curving walls of the staircases resemble magnificent silk ribbons. And the deliciously red concert hall with its unusual wall surfaces will give you something to look at, even in the rare case that the performance doesn’t interest you. This is one building that will change the vibe of the city, both day and night. By Tuija Seipell.

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March 27 2007



Isbank in Turkey have created this billboard ad which has passers-by literally stopping in their tracks. From a distance one sees what appears to be a cop car hiding behind a billboard, which automatically makes the passer by slow down enough to read the small text on the board. "Pay your traffic tickets on time without waiting in line - isbank.com.tr". To ad insult to injury, it then becomes apparent that the cop car is a fake cut out. Advertising bastardry at its best. By Andy G

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Architecture

March 27 2007



The holiday home or summer-house by definition, is a building constructed with a strictly defined personality. For the temporary inhabitant, it is to provide a sense of escape without abandonment, and leisure without effort. It’s very existence is to promote feelings and moods not experienced in our everyday lives. A temporary euphoria squeezed between four walls for a period of the users choosing. It is a social engineer’s architectural dream.   

This idea of temporary elation has existed for centuries. But the concept exploded with the onset of modernism and the twentieth century.  A newly emerging middle class sought escapism from the polluted cities while still enjoying the comforts of their newly industrialized homes. A Modernist belief that experience was shaped through design spearheaded the mass-production of seasonal dwelling. Le Corbusier described buildings as “machines for living” and architecture was bent to supply the petit bourgeoisie’s need for leisure and relaxation. Buildings were simplified, historical references and ornament were removed in favor of promoting the beauty of modern materials and construction. Concrete and its featureless character became the material of choice in the construction of buildings throughout Europe and North America. Their homogenous appearance celebrated by Brutalist architects but condemned by post-modernists for their flagrant disregard towards the social, historic, and architectural environment of its surroundings. 



Today, this form of design is considered to be archaic in its principles. Concrete is seen to be aesthetically vacuous, and is used structurally rather than visually. Instead, glass facades and organic materials are a building’s ornaments. But a team of architects in Austria have resurrected the ideological trappings of modernist thinkers to create a unique and eerily beautiful interpretation of the holiday villa. Set on lake Millstatter See in Austria, this four-story villa is an ode to the idealism of the holiday homes of old, but simultaneously sits in the avant-garde.

Much of the design was adapted from the hotel that stood previously on the original plot, and can be seen in the bold and unrelenting expanses of concrete. But rather than mask the commanding stretches of grey matter, the team have embraced and adorned the blank walls to become a key part of the building’s persona. The vast expanses complemented by materials that not only enhance the concrete’s authority, but also mimic it in character.  Pale, smooth furniture occupy the inside, while white decking and exposed brick-work dominate the outside. The effect of which, can feel arresting at first, but develops a strange allure when looked at up close.



The building is a prime example of the brutal, unrelenting style of design from the 1950s, but the overhaul of ideas has transformed it into a testament to the contemporary. The fluid transition between interior and exterior, coupled with the large openings throughout the build, allow nature to flow through the cold interior, giving it a warm and organic feel. While the geometric shapes of the building draw imposing silhouettes on the lake and the surrounding countryside. 

The minimal material concept; structural concrete in combination with white painted wood and metal surfaces, lends the building a monolithic character. But the upper floors of the building have an intimate, personal feel that doesn’t compromise the need for personal space.



It’s a building that screams arrogance and in places can feel a little soulless.  But the sheer audacity of its form juxtaposed with its purpose as a leisure facility, offers an intriguing concept that hasn’t been seen since Modernism dared to challenge the purpose of design and the human condition. By Matthew Hussey
 


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March 22 2007

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Baggage claims at airports get more and more interesting for advertisers. The Venice Casino uses the moving ad space to communicate with tourists. Additionally free tickets for the casino get shared to the tourist.
 

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Lifestyle

March 17 2007


Whilst the surf may be up Down Under at present, it's also letting rip in Munich. Just outside the “Haus der Kunst” museum, sits a canal who's wildly gushing rapids have created the cities underground surfing spot de jour.

The rapids supply local surfing buffs with ample waves, keeping their surfing skills sharp throughout the winter. It seems its one man at a time at this surfing hole, so future enthusiasts need to join the queue. Unlike the Aussies, these German surfers need not worry about sharks. By Billy T (photographed exclusively for TCH by our German spotter, Gunnar)




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Architecture

March 17 2007



The “Chalet” is by far the most famous product of Swiss architecture.  The wooden dwellings with sloping roof and overhanging eaves, are as much a part of the Swiss landscape as the Alps themselves. The single storey bunkers traditionally served as seasonal farms for dairy cattle in the summer months, and haven’t changed much since these humble beginnings.  

But high up on a mountain pass in the Bernese Oberland, a new type of seasonal home has emerged as a stark contrast to the timber heavy squats the country is so famed for.  With its back turned to the harsh northerly winds, this contemporary take on the log cabin straddles the vistas to the south via a huge five meter glass pane that invites the landscape to fill its vast, open plan spaces. 



Swiss planning regulators favor lots of small, pokey windows, this house is anything but.  Rather than shielding its inhabitants from the outdoors, the house embraces the mountainous terrain, with large glass doors opening out onto the wooden terrace that appears to float alongside the house.

With its elegant, concrete slab base, it juts out into the landscape like a beached vessel.  The domineering fireplace runs through the core of the building, dragging its brutal lines from the basement to the roof three floors above.



Up the handsome open-tread staircase the bedrooms and bathrooms blend into a continuous passage that invites you to keep moving.  The large, panoramic windows throughout keep the house light and airy, while the double insulated walls and thick wood decking keep the cool temperatures out. The sparse furnishings and sleek lines are a bold statement that matches the buildings unrelenting exterior. Rather than cluttering the house with gaudy ornaments and stuffy fixtures, it plays on the sparse landscape it so elegantly sits in.

Traditional chalets have a tendency to shy away from the landscape, sealing off its inhabitants to the beauty of the environment it inhabits.  This building however, embraces the countryside with an unyielding arrogance and swagger.  Perching precariously at the tip of a mountain, it stares boldly at its surroundings.  The interior eschews its contemporary credentials with clean, simple lines and muted colors.  But at the same time, it feels traditional, homely, and welcoming.  A small homage to the portly abodes that continue to dominate the Swiss landscape. By Matthew Hussey

Design

March 12 2007




Everyone is a pimp or a pinup, according to Simon Charrison and his cousin James. Not content with the current trend of hair salons - emaciated stylists, pissed-off pundits and sound systems capable of melting your face - the two South Australians decided something had to be done. So they decided to open their own hair salon that prioritised service over grandiloquence right in the heart of London's east-end.

“Both I and Simon have an 'old-school approach'. The stylists have a very close working relationship with the clients, old and new, and many of them come in just for a chat and a coffee. We offer a range of complementary refreshments in the salon and we even offer beer and wine, which is always well received, especially by the clients who have just finished work.”

The styling and design take a similar approach. Vintage Japanese chairs decked in thick black leather mould to your body while the vaudeville decor offers a sense of theatre. Simon has been cutting hair for over twelve years and James has worked in customer service for a similar period.  The sense of personal empowerment at the heart of Pimps & Pinups has attracted the likes of Green Day, not to mention local bands who regularly feature on the in house stereo. “The music we play is really important to the ambience.  There's a lot of indie rock, but Saturdays mainly just ends up being the ACDC day though,” muses James. By Matthew Hussey

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March 9 2007




Nothing grabs an audience's attention more effectively than a clever optical illusion. Combine that with an ingenious ad campaign and you get this brilliant mobile billboard for The Red Cross, currently gracing the streets of San Francisco.

It's photo journalism, meets Hollywood blockbuster movie poster, and it is turning plenty of heads wherever it parks itself. Enthusiastic onlookers have been snapping up photos of the mobile billboard and posting, uploading and sharing them online with friends. This is a brilliant example of how an audience can further promote the exposure of a great advertising campaign through mobile phones, blogs and sites such as flicker. By Andy G

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