Mobile living might not be for everyone - but those adventurous enough to give it a shot. Living Is.be has crafted a fully-functional living space within the bed or a truck.
Two hatch skylights provide natural ventilation and allow sun to illuminate the interior. A double bed was installed at the rear of the truck allowing two adults to sleep comfortably. Running water is not only used in a functioning sink, but is also used in a sunken shower that was placed directly behind the cab of the truck. A kitchen stove ensures meals can be prepared - whether driving through an urban area or traversing rugged terrain. By Andrew J Wiener.
See Also -THE WOLTHAHELLIZAT
DOUBLE DECKER LIVING
Whoever said that reading was a religious experience was right, especially when taking a visit to Selexyz Dominicanen in Maastricht, Netherlands.
Having just won the Lensvelt de Architect Interior Prize 2007, this newest addition to the Selexyz book chain is well worth the visit to this medieval city if you are ever in the area.
Erected inside a former 800 year old Dominican church, this bookstore is said to hold the largest stock of books in English in Maastricht, one of the oldest cities in the country.
It was always going to be a challenging task for Amsterdam based architects Merkx + Girod who designed the space, to stay true to the original character and charm of the church, whilst also achieving a desirable amount of commercial space (there was only an available floor area of 750 m2, with a proposed retail space of 1200 m2). Taking advantage of the massive ceiling, both have been achieved through the construction of a multi-storey steel structure which houses the majority of the books. This is one giant bookshelf, with stairs and elevators taking shoppers and visitors alike, up to the heavens (mind the pun), to roof of the church.
To maintain a sense of symmetrical balance in the space, lower tables of best sellers and latest releases have been added to either side, and of course a small cafe at the back for readers to relax and enjoy a hot drink.
Overall a great example of how with clever thinking, spatial solutions can both achieve a suitable retail presence, whilst still respecting and remaining true to the original structure. By Brendan Mc Knight
See also Pontificial Lateral University Library
LIBRARIES - CANDIDA-HOFFER
Kids Republic Bookstore
In a world where conservation and efficiency are becoming the standard, a greater number of companies are doing anything and everything they can to continue keeping awareness in the consciousness of the consumer. In this billboard for Philips, a consistent leader in corporate sustainability, the image of their globe is printed in ink that glows in the dark. The energy saving poster eliminates the need for artificial lighting. By Andrew J Wiener
Print Ad for Videocon Washing machines, created by Ogilvy & Mather, Mumbai
Villa Eugenie is an "events" company in the most impressive sense of the word. These are not people who organize bridal showers and baby parties for minor movie stars. For the Brussels-based team of Villa Eugenie, led by Etienne Russo, routine means orchestrating a major runway event for a major fashion house. And stunning everyone.
Best known for its catwalk extravaganzas, Villa Eugenie is now involved in not just creating spectacular fashion shows, but staging major events for luxury business in all of its forms - magazine launches, major celebrations, and jewellery, perfume, art and opera installations, corporate events and fairs around the world. The team also advises major fashion brands on store concepts, stores space searches, lighting and branding. Although based in Brussels, Villa Eugenie operates in all major fashion and luxury centers and has a permanent office also in Miami.
We do not envy their task of having to impress the time-hardened fashion buyer or editor, or the celebrities that line up the runways of the famous fashion emporiums. These events are critiqued like major concerts or art exhibitions, and the shows themselves are as much about drama and ever-bigger surprises as they are about the designers, or the fashions - most of which are unwearable by mere mortals anyway.
Villa Eugenie must be doing it right. Year after year, its client list reads like a Who is Who in the fashion world: Chanel, Dries Van Noten, Miu Miu, Maison Martin Margiela, Lanvin, Hermés, Hugo Bosss, Sonia Rykiel, Olivier Strelli, and the
These are all major brands with huge production budgets. But even when you know that sky is not the budget's limit, it is still astonishing that the same production company can be creating several shows in one season - all attended by the same posse of cynical seen-it-all viewers - and not start to appear stale or formulaic. Boundless creativity and ruthless attention to detail, both most likely still sparked for each project by Etienne Russo himself, are the cornerstones of such a feat.
Russo started humbly in the 1980s as an artistic and creative barman at Mirano, a fashionable nightclub in Brussels. He was soon creating major events there and drawing serious attention. His first real fashion client was Dries Van Noten for whom he worked as a model, salesman, lighting engineer, cook and extraordinary producer of Van Noten's first fashion show in Paris in 1991.
In 1995, Russo started his own production firm, naming it after the charming villa where it was located. Since 2004, the Villa Eugenie team has worked out of a former factory close to Brussels South station (Bruxelles-Midi, Brussel-Zuid). The space, covered by a vast glass canopy, was redesigned by the Ghent-based architect Glenn Sestig
This is the same man who this year opened his first luxury hotel Sestig Hotel. In the cubic Huis Van Waes building in Ghent that he reconstructed. By Tuija Seipell
Seen any other interesting events we should know about? e-mail [email protected]
It’s not only the destination that is important – the trip itself matters as well. Both literally and figuratively. So why are we left bored out of our heads, plus cold, wet, angry and hungry, as we wait (and wait and wait) in line ups?
It is because the operators of clubs, cinemas, theatres, restaurants, sports facilities and other entertainment venues fail to embrace — or take advantage of – the entire user experience. We are right there, waiting to be entertained and they ignore us and leave us out in the cold?
As we ponder this, we are delighted when something like this fun ski-lift shows up under our radar. It serves as a metaphor for the idea of doing more than the minimum with every aspect of the experience. What we see is ingenuity, creativity, and a sense of style and fun.