The owner couple of this beautiful pre-fabricated cabin on the shores of Lake Simcoe in Ontario, Canada, has been coming to their large recreational property for a quarter-century. But the big property in a great recreational location translated into lots of overnight guests and no privacy for the owners.
They felt they needed a 'getaway,' a place at their own property where they could capture the peace and serenity of the surrounding four-season nature without disturbing any of the existing trees or structures. They needed a place that remembers what the Simcoe cottage-country is all about.
The brilliant, award-winning solution by Toronto-based Taylor Smyth Architects is the one-room Sunset Cabin, a real cabin with a decidedly contemporary feel. The wonderful cabin has won several architectural and design awards and met the clients’ needs perfectly.
It is a one-room (190 square feet in size), self-contained box that was built by furniture craftsmen in four weeks in a Toronto parking lot and installed on site in 10 days.
Three of the exterior walls are floor-to-ceiling glass and of those, two are encased in horizontal cedar-screens for privacy, shade and light effects inside. One of the cedar screens has a large opening providing a direct view of the sunset from the built-in bed. The rest of the screen has random smaller gaps to allow various vignettes of the surrounding nature and to create fantastic light patterns inside. The slats are positioned so that there is no direct view in from the outside, but at the same time, it the inside feels almost wall-less.
The untreated cedar of the outer structure will turn silvery grey over time, helping the cabin blend in with its natural surroundings. In addition, the roof, visible from the existing main building, is a green roof planted with native plants of the area, further ensuring that the building mixes in with the landscape rather than sticks out in it.
All interior surfaces are unpainted birch veneer plywood, including the built-in storage cabinets. Doors at both ends of the cabin allow for cross ventilation. The interior floor extends outside to form a deck where the rustic feel continues with the screened-off outdoor shower.
The owners are apparently spending more time at their property than ever before. They enjoy the cabin year-round, heating it by a wood-burning stove and, if needed, electric heaters. Most likely, they are not inviting guests to share the space, so we can join in only by admiring the images. By Tuija Seipell
Produced by Guy-Manuel de Homem-Christo of Daft Punk and released by Air's label Record Makers, Sebastien Tellier's new album 'Sexuality' is a rhythmic ode to - you guessed it - the art of love making.
'Sexuality' explores the common ground between Daft Punk's 'Make Love' and Air's 'Sexy Boy'.
Tellier's songs traverse voluptuous synths and sweeping strings. The drums throb and whir soothingly at the edges of the sound. Tellier sings in a convincing coo and whisper as if he is updating Serge Gainsbourg and Brigitte Bardot's ascendant 'Je T'Aime Moi Non Plus'.
Where Tellier's French contemporaries like Justice head for the euphoric, chanting hooks, Tellier goes mellow, radiating warmth and revealing subtle analogue textures.
On the film clip for the instrumental track 'Sexual Sportswear', Tellier loops his keyboards like a double helix as a female body, lit up to resemble the iconic cover art for A Tribe Called Quest's 'The Low End Theory', writhes and moves to the music. By Nick Christie
Most definitely one for the lovers.
Zaha Hadid's silvery building resembling a sub-surface ferry or a space ship is the winning entry in the competition for the design of the Guggenheim Hermitage Museum in the ancient city of Vilnius, capital and the largest city of the Republic of Lithuania.
The jury selected Hadid's (Zaha Hadid Architects) design over those of equally famous architects Daniel Libeskind (Studio Daniel Libeskind) and Massimiliano Fuksas (Studio Fuksas).
A feasibility study, commissioned by the recently established Jonas Mekas Visual Arts Centre in Vilnius, is expected to be completed by mid-June 2008. Depending on its outcome, the museum could open as early as in 2011. By Tuija Seipell
Diane von Furstenberg Studio’s new headquarters fits perfectly in New York City’s fashionable Meatpacking District, also known as the Gansevoort Market Historic District. The new, six-story building is wedged between two historical, landmarked facades that resemble the wall props in Cirque du Soleil’s La Nouba. One corner of the structure is topped by a Olot, Spain-made faceted glass sphere that is part of the penthouse suite and seems like a gigantic diamond fallen from the sky.
In the design, New York-based WORK Architecture managed to combine old and new, light and dark, openness and enclosure, artistry and practicality. The building houses DVF’s flagship store, a 5,000-square-foot showroom and event space, offices and studios for a 120 people, an executive suite, and a penthouse apartment.
Inside the building, the chief feature is the “stairdelier,” a wide stairway that connects the floors and distributes light throughout the building. Flexibility characterizes all of the public areas. Pivoting walls and built-in unfolding “steamer-trunk” structures allow for a wide use of the space for fashion shows, photo shoots, events and parties.
WORK was founded in 2002 by Beirut, Lebanon-born Amale Andraos and Rhode Island native Dan Wood. Many of their projects are in New York, but their work includes everything from a master plan of an Icelandic town to a theatre stage set, from low-income housing towers in New York to a luxury residence in Panama, plus retail, office and residential projects around the world. WORK is also designing 14 DVF stores in 11 countries.
Diane von Furstenberg was born in Brussels, Belgium, 61 years ago. She started her fashion designer career in 1970. Famous for her wrap dresses, which she started creating in 1973, she has become a veritable fashion icon. She is also the current president of the Council of Fashion Designers of America, the non-profit association of America’s fashion heavy-weights. By Tuija Seipell
See also Creative Work Environments
The annual Detroit Auto Show serves as a platform for American automobile manufacturers, specifically, to flex their muscles, so-to-speak — and this year the Chrysler Corporation did just that. Dodge unveiled three models of the Challenger that will be available in 2009: the SE (3.5 liter V6, 250 hp), the R/T (5.7 liter HEMI V8, 370 hp) and the SRT8 (6.1 liter HEMI V8, 425 hp).
Originally hitting the streets in 1970 at the dawning of a new generation of design in automobile manufacturing, the Challenger was one of the original American muscle cars (along with the Ford Mustang and Chevrolet Camaro). Power and steel were king, gritty, dirt solid performance ruled over clear smooth edges and lavish aesthetics. The auto industry in Detroit was destined to enter its glory days.
Now, almost 40 years later, the auto industry, especially in Detroit is facing more than a handful of obstacles — including attempting to recover from an arguably failed race to build the largest petrol-guzzling trucks on the market. Compact and fuel-efficient has been all the latest rage — but what about performance? Based on the model chosen, Dodge almost guarantees blood-pumping sensation. The SE model doesn’t come with racing stripes and spoilers like its two bigger brothers, and the less sporty version only has a single exhaust pipe in the rear, rather than duel pipes on the more powerful models.
Dodge believes a retro-styled coupe can deliver exactly what auto enthusiasts are seeking in the three Challenger models: a varying array of performance options and features including voice-activated MyGIG Multimedia and UConnect systems, Remote Start with Keyless Go and five-speed manual models get the Hill Start Assist. Time to kick up some dirt — driving’s about to get messy again! By Andrew J Wiener
Hot Chip's new album 'Made In The Dark', is a wild ride. From thepopping, stomping squelches and whistles of 'Out At The Pictures', tothe LCD Soundsystem-esque groove of 'Ready For The Floor', the albumjumps frenetically between styles and influences.
With moments of delicate intimacy, soulful croons and straightforwarddance-pop, Hot Chip truly are the kings of hipster electro-pop.
Full of infectious, imaginative hooks and schizophrenic mood and tempochanges, you can lose yourself in 'Made In The Dark'. With somuch to process, it's an album that will reveal its more subtleelements on repeat listens.
Music for sound-tracking times of bliss and glee. By Nick Christie myspace.com/hotchip
Alexandre Herchcovitch has come a long way since his humble beginnings of making his mother's party clothes. Having launched his first collection in 1994, things have only gotten bigger for the Brazilian-born designer.
Trained at the Catholic institution Santa Marcelina College of Arts in Sao Paulo, his designs have been sent down the runways of New York, Paris and London. Best known for avant-garde designs and eclectic prints, his trademark skulls became an icon of Brazilian youth in the nineties.
2007 was a memorable year for Herchcovitch. It was a year of branching out, particularly with his redesign of the uniform for McDonald's employees in Brazil, and the opening of his first store abroad. In this daring project, Herchcovitch chose Tokyo where a good part of his collections are purchased and where he has become somewhat of a fashion guru.
The 1,076sq ft store, which sits in the hip Daikanyama district carries his men's, women's and denim collections and is operated in partnership with Japanese fashion distributor and retailer H.P. France.
Changing the way the world thinks about Brazilian fashion, coupled with his new Japanese store and concessions in New York, Herchcovitch is fast becoming a big and serious name in the fashion world. By Brendan McKnight.