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Munetsugu Hall
E-mail Monday, 21 July 2008

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Norihiko Dan — born in 1956 in the Kanagawa Prefecture in Japan — is the designer of the beautiful Munetsugu Hall, completed in 2007 in Naka Ward, Nagoya, Japan. It is a privately-funded concert hall that continues the age-old but almost-dead tradition of wealthy arts patrons initiating and financing the creation of art spaces. Fluid, white wall shapes are the distinctive feature of Munetsugu Hall’s main performance space. The walls bring to mind artistic sweep marks left by a gigantic builder who in his boredom doodled in his mortar tray with a massive trowel and then let the shapes solidify.

Norihiko Dan has won several architecture awards in Japan and Taiwan including the Distinguished Architect Award of the Japanese Institute of Architecture and the ARCADIA Award Gold Medal in 2007. His work has been part of exhibitions in Japan, Taiwan, USA, Canada, Germany, Austria, Italy and the UK. In addition to being a respected architect and educator, Norihiko Dan is also an architecture historian and writes novels and screenplays.

Munetsugu Hall’s generous benefactor is Tokuji Munetsugu who with his wife Naomi made a fortune in the restaurants business. Their company Ichibanya Co. Ltd. (based in Aichi, Japan) operates more than 1,000 curry and pasta restaurants under the names Curry House CoCo Ichibanya and Pasta de Coco. Munetsugu spent two billion yen to build the 310-seat concert hall. He has also set up a nonprofit organization to support welfare, sports and arts activities. - Tuija Seipell


Tags: Architecture,
 
The World's Coolest Houses - Book No.2
E-mail Wednesday, 09 July 2008

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We are on a hunt for supremely cool houses, from beach homes, country homes and city pads to holiday houses and ski retreats, we want to know where the coolest houses are for our upcoming book. We are looking for the most unique houses from Sao Paulo to Sydney. Slightly cool, standard-issue luxury won’t do it.

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The houses we want must think like Zaha Hadid who said “I like architecture to have someraw, vital, earthy quality.” So, if you are an architect of such a house, please submit your project for consideration or if you a photographer who has photographed such a house, please get in touch - This e-mail address is being protected from spam bots, you need JavaScript enabled to view it This e-mail address is being protected from spam bots, you need JavaScript enabled to view it This e-mail address is being protected from spam bots, you need JavaScript enabled to view it

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Golf & Country Club, Sempachersee
E-mail Friday, 04 July 2008

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Golf and drab are synonyms, right? And the mere mention of Golf and Country Club makes you run. Away. Fast. Golf may indeed have a bit of an image problem but that did not deter the Zürich-based Smolenicky & Partner Architektur when they were retained to work on the expansion of the venerable Sempachersee Golf Club located near Lucerne in Switzerland.

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In addition to the new club house-restaurant building and the new maintenance building, both of which Smolenicky designed, the expansion included a second 18-hole golf course. All of this has made Golf Club Sempachersee the largest golf club in Switzerland and, quite likely, the club with the coolest club house.

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In their approach to the club house, Smolenicky sought to manifest two things: what they call the “country character of the golfing culture of the Sempachersee course” and the course’s worldly sophistication. They took their design cues from “the rural warmth of a timber barn and the clear lines of a Maserati sports car.” The resulting building, the sleek and minimalist interior, and the magnificent 180-degree panoramic views of the Sempachersee lake and the Alps might just be reasons enough to give golf another chance. Or, at the very least, rethink what a golfing environment could look like. By Tuija Seipell

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Humlegård House - Braving The Elements
E-mail Wednesday, 11 June 2008

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Humlegård House is the stark-looking, year-round residence of a former Finnish TV documentary producer. He moved to this house, located in the town of Fiskars, 78 kilometers west of Helsinki, from a central-Helsinki heritage apartment. Many aspects of Humlegård, especially its placement to respond to the forces of nature, resemble the owner’s childhood  home, a large country manor in central Finland.

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Designed by Kimmo Friman of Friman Laaksonen Architects of Helsinki, Humlegård House is situated on a small, flat hill so that the north-south line runs diagonally through the building. This is the traditional way of placing a building so that it functions optimally as an energy efficient and comfortable dwelling in the harsh, Finnish climate. Protection from the wind and maximum use of sunlight are primary considerations, and the placement of rooms is as much dependent on how much the room needs heat and daylight as it is on how the residents use each space.

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The floor plan resembles the layout of a traditional peasant farmhouse, split lengthwise into two. The house consists of three multi-function areas: two large living rooms linked by a loft with a bathroom and walk-in closet below.

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In a typically Finnish fashion, the building appears simple, stark and utilitarian yet exudes a harmonious and stylish form & function sensibility. The owner and architect selected each building material carefully, opting for traditional, natural materials. “I did not want materials of which we did not have decades of experience,” said the owner. Horizontal spruce board – left untreated for maximum structure breathability -- is the main feature of the interior.

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The spruce-clad outer facade weathers into a beautiful gray color that matches the stark surroundings. The east-facing facade is clad with galvanized corrugated-steel that protects the wall from rain and sun and also reflects excessive sun away in the summer. The placement of windows was determined by the requirements of the interior spaces. A separate, tiny log sauna, also designed by Friman, was built later east of the main building. By Tuija Seipell

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Living On Exhibit
E-mail Tuesday, 27 May 2008

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Antwerp, Belgium-based one-year-old sculp(IT) is a partnership of two architects, Pieter Peerlings and Silvia Mertens. They have recently completed a clever office, residence and studio for themselves in what they call “Antwerp’s narrowest house” located in Anwerp’s former red-light district. They took a 2.4-meter (7 feet 10 inches) wide space between two buildings, erected a steel skeleton in it and installed four wooden floors, one each for work, dining, relaxing and sleeping, plus a bath tub on the roof.

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A one-piece staircase connects the floors. The walls are all glass, allowing light in and creating a feel of space. In a nod to the area’s “exhibitionist” past, each “window” to the street has a black frame emphasizing the showcase or display aspect. The multi-color lighting scheme completes the seedy notion. By Tuija Seipell

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Nurai - Exclusive Private Residential Estate, Abu Dhabi
E-mail Monday, 19 May 2008

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There’s a new planet in the solar system and it’s called Luxury. Actually, it is here on earth, on a little-known island called Nurai, located northeast of Abu Dhabi city.

The 130,000-square-meter island is about to be transformed into an achingly glamorous and luxurious resort and exclusive private residential estate, comprised of one boutique luxury hotel resort with 60 suites, 31 beachfront estates and 36 water villas.

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The mammoth project is a collaboration between New York based Studio Dror, led by Dror Benshetrit, that has designed the residences, and the Paris-based firm AW2 are responsible for the design of the hotel.

The sheer scale of the project is awe-inspiring. The incredible multi-storey water villas alone will span 515 square meters each, and comprise three bedrooms, four bathrooms, a private rooftop garden with spa pool, private infinity pool, multiple decks, outdoor barbeque area, gourmet kitchen and concealed service quarters. No doubt, Tom & Katie are making their reservations already.

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As for the private Seaside residences (which are sure to be snapped up by Saudi Princes and oil sheiks because they will probably be the only ones who can afford them), the five-bedroom, six bathroom estates span between 3,000 and 6,050 square meters.
 
Each Seaside estate will include a private beach and garden, rooftop garden with spa pool, infinity swimming pool, indoor reflecting pools, concealed service quarters, entertainment patios, outdoor dining areas, chef and show kitchens, and outdoor showers.

The resort is due to open in 2010 and the prices for the residences start at €20 million. By Lisa Evans

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Tags: Architecture,
 
Baumraum Treehouses
E-mail Thursday, 15 May 2008

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Some of us think that our far off ancestors lived in the trees – and during our childhood, when our thoughts and memories are most pure, we yearn to climb trees growing in our gardens, in our parks, in our cities. As we get older, the urge to climb trees subsides as we ride elevators up to our offices in the sky and look out across the cities where we live. Yet occasionally, as we’re sealed up tight in our artificially climatic spaces, we long for a breath of fresh air.

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At a German company called baumraum an architect, a landscape architect, an arbologist, and a craftsman design modern, natural and solidly constructed treehouses. Each treehouse project is assessed individually. The team takes into consideration the condition of the environment and of the tree, with the size and features the clients desire.  

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baumraum offers a range of wood-types as well as options for insulated walls. Treespaces can be outfitted with sitting and sleeping benches, storage spaces, a mini-kitchen, heating, glass windows, lighting, as well as a sound system for multimedia. Every piece is prefabricated in a workshop, and then brought together on site.

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Sound like something you’ve been wanting? The baumraum team offers free consultation where they can talk you through every option available as you put together your dream treehouse.  The treehouses can span multiple levels and sit among several trees. Treehouses are mostly secured with ropes, thereby minimizing the impact of stress to the tree or trees on which the house is placed. And if a tree is particularly weak, or even if a treehouse is wanted where there is no suitable tree, stilts are used to guarantee people everywhere can once again climb trees. By Andrew J Wiener

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House in Tenerife, Canary Islands
E-mail Monday, 05 May 2008

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We do our best to seek out exceptional design from all corners of the globe, and on Tenerife, the largest of the Canary Islands off the north west coast of Africa, we found an extraordinary architectural example in timber, glass and concrete.  The House in Tenerife was built into the cliffs nearly 1000 ft. above a black sand beach. 

The entrance to the house leads to the upper tier of the double-height living room. And descending the concrete staircase, the minimalist interior becomes second nature against the surrounding backdrop – where the blues of the sky and the sea appear vertically in formation.  Before long, the sensory experiences from the natural world envelope the built form, and the house’s relevance in its surroundings are revealed. 

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The layout places living areas of the home on the shorter end of the L-shaped form, while both bedrooms and bathrooms sit along the longer side. Both living and sleeping spaces open out to a wooden deck and pool that spills into nature. 

The heaviness of the concrete double-story living room allows glass panels to sit effortlessly on the deck. The room’s only furniture, le Corbuiser’s chaise and Mies’ Barcelona chair face out, away from a small fireplace that meets a wall of two-storey shelving.

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The sleeping spaces both open to the deck and pool as well. Each has its own bathroom – and from the master, the owners can sleep and bathe in the same space looking out at the same view, as the sink and the concrete tub sit at the foot of the bed. 

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The house even contains a basement where a home gym looks through a glass wall into the side of the pool.  We couldn’t really think of anything else we would want from a home on a Spanish island – except great wine storage, we’d be doing plenty of entertaining. By Andrew J Wiener.

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Pics by Roland Halbe


 
Casey Brown Architecture – James-Robertson House
E-mail Wednesday, 16 April 2008

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The design brief for the James-Robertson House set upon a steep slope at Great Mackerel Beach overlooking the bay was to provide the owners with a permanent residence that separates living, sleeping and guest spaces in three pavilion-like glass, steel and copper structures. 

The Sydney-based team of Casey Brown Architecture abides by principles of lying built form atop of the natural environment, and their house perched above the blue waters of the bay is no exception to the practice. For the James-Robertson House, the architects, who also live on the hillside, employed their local knowledge of climate and topography in the relationship between the natural and the tectonic. 

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After crossing the bay by ferry, visitors and the very few local residents arrive at Great Mackerel Beach via a pier that jets out from the shore. The homes on the hillside sit at the edge of the Ku-ring-gai National Park – a vast expansive protected area just north of Sydney – and no road access means no cars at all – the dream of many urbanists worldwide. 

The structure of the house is comprised of three double-storey pavilions that are anchored down into the rock formations yet seem to hang off the steep hill. The climate-sensitive design allows the vast open areas to capture sea breezes from the South Pacific Ocean just out beyond the Bay. Sunlight is effortlessly filtered through folding hoods, mechanical blinds and eaves and long overhangs. The entire steel structure was painted black, which helps the house fade into its natural environment. Along with the structural materials, the architects placed a copper roof above and used local timber and stone.

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The two pavilions below house a guest room and bathroom on the lower level, while the main kitchen, dining and living areas are accessed via an exterior stone stairway. The upper pavilion sits 165 feet above the lower, and can only be accessed by riding aboard a very steep inclinator. The pavilion contains the laundry area below, and the master bedroom and bathroom were placed on the highest point for the most expansive views of the surrounding landscape. By Andrew J Wiener

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Sunset Cabin, Lake Simcoe, Ontario
E-mail Tuesday, 15 April 2008

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The owner couple of this beautiful pre-fabricated cabin on the shores of Lake Simcoe in Ontario, Canada, has been coming to their large recreational property for a quarter-century. But the big property in a great recreational location translated into lots of overnight guests and no privacy for the owners.

They felt they needed a “getaway,” a place at their own property where they could capture the peace and serenity of the surrounding four-season nature without disturbing any of the existing trees or structures. They needed a place that remembers what the Simcoe cottage-country is all about.

The brilliant, award-winning solution by Toronto-based Taylor Smyth Architects is the one-room Sunset Cabin, a real cabin with a decidedly contemporary feel. The wonderful cabin has won several architectural and design awards and met the clients’ needs perfectly.

It is a one-room (190 square feet in size), self-contained box that was built by furniture craftsmen in four weeks in a Toronto parking lot and installed on site in 10 days.

Three of the exterior walls are floor-to-ceiling glass and of those, two are encased in horizontal cedar-screens for privacy, shade and light effects inside. One of the cedar screens has a large opening providing a direct view of the sunset from the built-in bed. The rest of the screen has random smaller gaps to allow various vignettes of the surrounding nature and to create fantastic light patterns inside. The slats are positioned so that there is no direct view in from the outside, but at the same time, it the inside feels almost wall-less.

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The untreated cedar of the outer structure will turn silvery grey over time, helping the cabin blend in with its natural surroundings. In addition, the roof, visible from the existing main building, is a green roof planted with native plants of the area, further ensuring that the building mixes in with the landscape rather than sticks out in it.

All interior surfaces are unpainted birch veneer plywood, including the built-in storage cabinets. Doors at both ends of the cabin allow for cross ventilation. The interior floor extends outside to form a deck where the rustic feel continues with the screened-off outdoor shower.

The owners are apparently spending more time at their property than ever before. They enjoy the cabin year-round, heating it by a wood-burning stove and, if needed, electric heaters. Most likely, they are not inviting guests to share the space, so we can join in only by admiring the images. By Tuija Seipell


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Zaha Hadid Wins Design Comp For Guggenheim Hermitage Museum
E-mail Thursday, 10 April 2008

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Zaha Hadid’s silvery building resembling a sub-surface ferry or a space ship is the winning entry in the competition for the design of the Guggenheim Hermitage Museum in the ancient city of Vilnius, capital and the largest city of the Republic of Lithuania.

Although Vilnius is one of Europe's smallest capitals, it has a long, strong and culturally rich history, beautifully reflected in its well-preserved Old Town with cathedrals dating back to the 12th century. The Pritzker prize-winning architect Hadid’s futuristic building will be an arts centre and a museum, housing selected collections of both the New York’s Solomon R. Guggenheim Foundation and the St. Petersburg- based State Hermitage Museum.

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The jury selected Hadid’s (Zaha Hadid Architects) design over those of equally famous architects Daniel Libeskind (Studio Daniel Libeskind) and Massimiliano Fuksas (Studio Fuksas).

A feasibility study, commissioned by the recently established Jonas Mekas Visual Arts Center in Vilnius, is expected to be completed by mid-June 2008. Depending on its outcome, the museum could open as early as in 2011. By Tuija Seipell

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Tags: Architecture,
 
The Mill
E-mail Friday, 07 March 2008

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People have paddled since time immemorial although the gear today is much different from what it was in ancient times. Soon we will also see a new type of rest and overnight shelter specifically for canoeists that will take advantage of the water as a power source yet retain a pristine and timeless peacefulness. Finnish architect and artist Sami Rintala, together with architecture student Janne Saario, has created The Mill, a modern wilderness hut that will be located in the Halikko river in south western Finland, near the town of Salo, mid-way between Helsinki and Turku. The wooden shelter even includes fireplaces and sleeping platforms and the waterwheel in the middle of the stream produces the energy for use in the shelter. To be completed in the fall of 2008, The Mill is part of Halikonlahti Green Art Trilogy, which in turn is part of an ongoing multi-year "Cross-artistic and Scientific Environmental Event"  The 39-year-old Rintala has created experimental and environmentally sustainable installations and experimental buildings all over the world, form the Scandinavian countries to Cuba, Canada, Japan and Korea. By Tuija Seipell

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Hingarae Residence and Resort - New Zealand
E-mail Tuesday, 04 March 2008

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Most of us have a personal image of an ideal escape or getaway. A secluded beach shack hidden on an island paradise - a tucked away cabin built into a snowy mountainside - a private chateaux set on the quiet, rolling hills of a vineyard - basically anywhere we feel removed from the mundane normalcy of our own daily lives.

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X.Pace, a Sydney/Singapore-based design studio is on the verge of helping us redefine the ultimate lifestyle solution - the ultra luxurious Hingarae residences and resort located in Lake Taupo on New Zealand's north island. Hingarae embodies everything one would expect from 6 star standards - the ideal balance of extreme luxury, privacy and ultra-modern built form set upon a pristine natural environment. 

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The development will offer twenty eight opportunities to own a fully-furnished Hingarae Module. Each individual Module is 2,153 square feet set carefully within 2.5 acres of natural landscape. Oversized windows allow uninterrupted views to the surrounding forest, green countryside, snow-capped mountains and crystal blue lake. The interior design is equally rewarding offering an exceptional imported blend of modern and futuristic furniture. The main living space sits on a revolving disc floor that allows orientation toward the exterior or the LCD screen.

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Numerous additions to Hingarae Module ownership include an electric car for all on-site traveling, personal use of Hingarae's premium luxury 4WD vehicles for off-site travel, access to on-call helicopter, on-going membership to Jack Nicklaus' Kinloch Golf Club, ongoing winter season's pass to Mount Ruapehu's Whakapapa (New Zealand's largest ski area), shared use of Hingarae's motor launch and unlimited access to the 6 Star Hotel Hingarae and all its facilities including a recording studio. Hingarae also fully manages and maintains each Module and its individual acreage.

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Nearly every aspect of a superior style of living has been taken into consideration during the conception and development phases of Hingarae.  Unlike anything in the world, this New Zealand destination will soon embody the ultimate expression of escape for those of us able to get in - as prices start from US$1.9 million.  As for the rest of us, we can always hope for an invitation from a generous friend.  By Andrew J Wiener.




Tags: New Zealand,
 
Onigiri House - Oita, Japan
E-mail Monday, 25 February 2008

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Architecture and adaptation go hand in hand - many of the types and styles of buildings created in the past will not translate into our current design discourse.  Only when architects acknowledges the world around us is changing, becoming more complex, can they successfully create functional space.

Japan's NKS architects design buildings that re-frame space - adapt to changes in their surroundings.  The small wooden Onigiri House in the countryside of southern Japan was built for an older couple in attempt to keep costs down while maximizing space. 

The house's main structure forms a triangular tube-shape and is made from thick cedar boards, traditionally used for ship scaffolding. Windows are spaced along the top where the boards lean together as well as in intervals along the base of the house.  Additional glass doors within a glass frame fill the end of the tube.  An obvious connection to nature is essential to most Japanese architects - and here the placement of windows and doors allows light and wind to penetrate the entire space. By Andrew J Wiener

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More of NKS work below

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Phooey Architects - Children's Activity Center (Melbourne)
E-mail Monday, 11 February 2008

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We’ve told you before about some of the creative uses for abandoned shipping containers – and we wouldn’t keep bringing it up if we didn’t think that design recycling is still essential. Also, we have never before found a project where the principles underlying sustainability have been so successfully achieved. Phooey Architects completed work on Skinners Playground, a backyard for children living in public housing in South Melbourne, Australia – and a low cost, environmentally sound, and socially responsible solution. 

Setting design aside for a second, we need to acknowledge that the architects created a place to find a community support network; a place for children to learn and grow; a place that provides a place to escape; and a place where families know children are safe. The result is similar to the Danish concept of allowing children within a community to build their own play space. Although the children in South Melbourne did not actually build this playground, they will take an active role in how the activity center will develop and grow. 

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Beginning with the desire to produce zero waste from conception to completion, Phooey architects staggered, sliced and arranged four unpainted shipping containers on the site of the playground.  Any additional material including windows, decking, carpet tiles and joinery had to be durable, recycled, reclaimed, reused, plantation or salvaged from demolition. Even parts that were cut off or unassembled from the containers were used to make a staircase with  a balustrade, overhangs providing external shading, and various decorative features. 

Through the successful stacking of the shipping containers, a variety of indoor and outdoor, intimate and public spaces are created. Areas are provided for study, art, dance, play and general hang out. Every interior space has visual and physical connections to its surroundings by opening up onto sandpits, play spaces and even a pond and reed bed that receives much of the roof’s runoff rainwater. The containers are fully sealed and insulated allowing continued use through Melbourne’s temperate winter months. And in the summer, cool ocean breezes help prevent overactive children from overheating. By Andrew J Wiener.


 
A Home With The Coolest Outdoor Home Theater
E-mail Wednesday, 06 February 2008

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We have found a candidate for the winner in the Coolest Home Theater category. Just short of being a drive-in, this outdoor home theatre surpasses the stinky basement family “media room” by close to a light year.

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Glass walls, clean lines, uninterrupted space, uncluttered rooms, expensive detailing — the hallmarks of a modern, upscale classic are all present in this stylish residence. Why anyone in possession of such an amazing home with such breathtaking views, would want to watch movies at home, is beyond us, but let’s just say that we wouldn’t mind being invited to a screening or two. The terraces, patios and the 65-foot infinity pool and spa will keep cinematically uninterested guests entertained as well. And we’ll all stay at the separate guest house, of course.

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But we must admit we are still lacking an invite to the 5,800-square-foot Skyline residence overlooking Hollywood and downtown LA. The visit is up to the owner of the home, architect Hagy Belzberg, a Harvard graduate (1991) who interned in Frank Gehry’s office.

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The opulent home was designed by the entire team of his Santa Monica-based, 13-member Belzberg Architects that the now 43-year-old Hagy Belzberg founded in 1997. By Tuija Seipell

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