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January 7 2011

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January 6 2011

New York artist Tom Fruin’s outdoor sculpture Kolonihavehus in the plaza of the Royal Danish Library in Copenhagen has the appearance of a friendly and colorful stained-glass house, yet it also evokes thoughts of churches and Charles Rennie Macintosh.



Fruin’s sculpture is constructed of a thousand reclaimed pieces of plexiglass ranging in size from 2x2 to 24x36 inches. They originate from many sources, including a closed- down plexi distributorship near Copenhagen, a framing shop, the basement of the Danish State Art Workshops, and the dumpsters outside the Danish Architecture Center.


 
The sculpture was brought to life by daily performances by Copenhagen-based CoreAct headed by Anika Barkan and Helene Kvint. The performances included poetry of the Danish Vagn Steen, Computer-controlled light sequences by Nuno Neto and a sound installation by Astrid Lomholt.



Kolonihavehuses were originally small garden sheds that were designed to give cramped and often impoverished city-dwellers a small plot and a refuge from city life. - Bill Tikos

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December 7 2010

Seriously one of the greatest mountain bike edits you'll ever witnessed. Impressive filming and riding.

The song is by Radical Face - Welcome Home

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December 3 2010

Creative duo Kirsten Rutherford and Lisa Jelliffe from London’s Brothers & Sisters agency drew our attention to their current poster installation “Making the invisible visible” that hit the streets of London this past weekend.
 
It is a collaboration with the Berlin-based, three-person photographic street art collective Mentalgassi in support of Amnesty International.


 
The London poster campaign is specifically in support of Troy Davis, a man described as having “been on death row for 19 years in the USA, despite serious doubts about his conviction.”
 
The posters, depicting a close-up Davis’s face, are mounted on fence railings that disguise the posters so that the face behind the bars is revealed only when viewed from an angle. View the video.
 
The three posters are located at 4-7 Great Pulteney St, 21 Great Pulteney Street, and 5 Berners St (all W1). - Bill Tikos

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November 23 2010



TCH has been active online for 6 years and sometimes it seems we forget how amazing it is that the community that follows us just keeps growing. Many of our articles are read by millions of people, and the numbers of regular readers, followers, friends keeps growing and growing.

To celebrate this community, we commissioned artist Fernando Volken Togni from Brazil to create a poster. It reflects the multicultural, multi-discipline, multi-everything environment of the cool world of TCH.

Fernando also designed one of our car wraps which will be available in 2011.

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November 21 2010

It's The Cool Hunter logo as an art installation. Gabriel Dawe's colorful 'Plexus installation is currently showing at the Dallas Contemporary in Texas.

The construction is made out of gütermann thread, wood and nails attached at either end to blocks of wood, the effect is like a real-world version of computer generated imagery. Stunning.

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October 29 2010

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October 23 2010

Matchstick Art of the Day: Pei-San Ng’s “Passion” — 2,500 matches glued to a piece of reclaimed plywood.

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September 30 2010



Dutch artists, mother and daughter Michèle Deiters and Bibi van der Velden, have created a series of sculptures that demand  a double take. Their new partnership, Bibi Michèle, combines van der Velden’s conceptual vision with Deiters’s sculptural talents. The resulting pieces of art seem both new and timeless. The reflecting surfaces of the bold human-head sculptures incorporate the texture and light of the surroundings, and ask the viewer to participate.


 
The viewers can also see themselves reflected back from the sculptures which evokes a feel of conversation and communication. According to the artists, the viewer is an essential ingredient in the art by contributing emotion.

Weightlessness and an eerie out-of-placeness characterize the powerful pieces that are the duo’s first main body of work as a team. - Tuija Seipell

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August 13 2010

Lexus has taken its fifth hybrid, the compact CT 200h, on the road in more forms than one. This eerie and artistic sculpture, titled CT Umbra, was part of the Lexus debate series tour called Darker side of Green

Created by Los Angeles-based Nondesign, the installation aimed to highlight the two seemingly opposing features of the vehicle - luxury and eco-friendliness – by changing colors from luxurious gold to earthy green and blue. This contradiction was also the underlying question during the debates.



The sculpture is based on a map of vertical lines created from the CAD model of CT 200h. It was built of 2,500 half-inch anodized aluminum bars cut to the exact measurements of the map.

Lexus introduced the debate concept in March with a celebrity-attended press event at Skylight West in New York just before the car’s launch at the New York International Auto Show.



In July, the debate travelled to Los Angeles, Miami and back to New York, and ended on August 5 in Chicago. Cool locations (Palihouse Holloway in L.A., Bowery Hotel in N.Y., Ivy Room in Chicago), music and art, and moderators (comedian Tracey Morgan and singer Mark McGrath and actor and comedian Jamie Kennedy), spiced up the 40-minute debate between two hard-hitters, one pro and the other skeptical about sustainable energy and the green economy.



The goal was to highlight these issue is general and to seek common ground between the two sides. The discussions highlighted the question Can green and luxury go together? In Miami, almost 750 people attended and enjoyed the pre-debate cocktail reception sponsored by Patrón.

After the debate tour, Lexus will take the CT 200h to each of the tour cities to offer local customers and VIPs the chance to test drive it. - Tuija Seipell.

***UPDATE****

A year before the Lexus launch, London-based designer, Laura Micalizzi, created a similar-looking “car” installation called 10M3 DI PAUSA for the Milan Furniture Fair

Micalizzi’s car-shaped sculpture aimed to draw attention to the value of space in the city and to the growing necessity of cars.

 

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