The reports of the demise of Nick Zinner’s guitar have been greatly exaggerated. While the band’s new found admiration of Giorgio Moroder and the synths-and-sequencers party vibe of lead single Zero led many to think that the Yeah Yeah Yeahs
had ditched their signature guitar-drenched sound, it’s not the case. Zinner still wields his guitar like a pro on It’s Blitz!, yet it’s used in such measured and considered strokes throughout the album, complementing the richer sense of space and detail than we’ve yet seen from the band. It’s a more artful, rather than arty, version of Yeah Yeah Yeahs.
That's not to say that the band still don't rock, because they really do like on the afore-mentioned single Zero, or Dull Life which gallops at full speed aboard Zinner’s tumbling riffs. But the NYC trio truly shine when they push themselves and their sound headlong into unexplored territories. Take the gorgeous Hysteric, with a skeletal synthesis of organic and programmed drumming, and sparingly used guitar atmospherics, it’s the band at their most tender, before they decide to throw everything at their disposal — horns, trumpets, whistles — into the song, only making it sound bigger and more poignant than before.
Such slow-burning tracks have quickly become the band’s strongest suit, and accordingly It’s Blitz! (a deceptive title it turns out) is dominated with layers of trembling synthesizers and Zinner’s rich guitar-mist. It's a fairly staggering leap from the bratty rush of Fever To Tell and the polished-rock-sheen of Show Your Bones, but the Yeah Yeah Yeahs sound so comfortable and assured of themselves while they jump from sound to sound that you shouldn't hesitate about jumping off with them. - By Dave Ruby Howe