There’s something uniquely Danish about Fagget Fairys; an aggressive modernity stirred to a potent beat that marks the duo (that’s MC Ena and DJ Sensimilla) as being distinctly of the Jutland, a place where political, social and artistic progressivism is the norm rather than the exception.
It’s in Feed the Horse that the duo has produced a dexterous debut album. Built on Sensimilla’s filthy, sweat-smeared bass lines, Fagget Fairys’ brand of ghetto-funk churns, pumps, wrestles and writhes. Feed the Horse is almost salacious in its intent, and you can’t help but listen without feeling either bizarrely elated or subtly violated, or perhaps just both.
“I think the album worked out in a really good way,” explains Ena in her signature elastic style, her mind occasionally tripping over her tongue in a torrent of engaging verbosity. “Everything happened at the right time, because we had our EP out last year with two tracks on it that became very popular on the music blogs, so we already had a good basis on which we could then produce. When we did the album, we did it half in New York and half in Copenhagen, so we were working in these lots of two weeks at a time, where we would go into the studio and not come out for two weeks basically.”
Perhaps the biggest coup with Feed the Horse was the recruitment of Grammy award-winning Danish producer, Rasmus Bille Bähncke. Sensimilla has plenty of experience shaking clubs across Denmark, but working with Bähncke was a whole new experience entirely.
“He’s a really, really amazing guy and I think it was a bit like love at first sight for all of us,” Sensimilla explains. “You have the perfect match personally and you have the perfect match professionally and I think he was our perfect match in a professional sense. He has a good ear for what’s catchy in the pop genre and I have a really good ear for the underground thing, so the combination on the album is really interesting I think.”
Fagget Fairys may be destroying sound systems worldwide, but they’re simply the sharpened spearhead of what’s turning out to be a gang busting groundswell in Danish popular music.
“There are so many really interesting sounds coming out of Denmark,” says Sensimilla. “I think it’s being recognised in a few places in the world that we have some strong names now and that’s really exciting!” Exciting doesn’t even begin to describe the surge in great Danish music that Fagget Fairys are leading, with a bustling and dynamic community of artists in the pack, the scene is on the verge of a musical triumph of truly epic proportions. – Matt Shea