With fuzzed out guitar swells, biscuit tin snare drums, drowsy, shuffling vocals, and a Google-defeating band name, Portland’s 1,2,3 have everything a day-dreaming indie rock romantic could hope for. Already courting both blogs and indie radio waves, this duo will be on repeat for the rest of the year without question.
With just one track to their name - the epic synths and vocoder frenzy named Futuretapes - it’s probably too early to proclaim Philadelphia based collective CSLSX the best new act we’ve heard in 2010. But screw it, we’re going to say it anyway. Because what we’ve heard so far is bordering so close on perfect that it’d be scary if we weren’t too busy dancing.
Hailing from a seriously chilled hideaway in Australia’s Queensland, Flight Facilities are two young dudes causing a big stir with their smoothed-out house tracks. Already grabbing the attention of heavies like Aeroplane and the Bang Gang, these guys are making sax solos in dance tracks cool again. And that can’t be a bad thing.
The next heiress to the pop princess crown, Florrie has been making all the right moves towards chart domination, including star hook-ups with bonafide hit-makers like Fred Falke and Xenomania, the same team that made Girls Aloud and Sugababes so inescapable. That’s a very tight pedigree, but of course it always comes down to the tunes, and so far it’s looking as though has a knack for hooky, delirious pop tunes. Expect big things.
With every rapper with a mic rallying to be a part of the next crop, 2010’s break out star seems to unanimously be North Carolina’s J. Cole. Having already impressed hip hop big guns like Wale, No I.D. and Jay-Z (who signed the 25 year old to his Roc Nation label) and a debut album (Cole World) due to drop in a matter of months you can expect be hearing a lot from him at every turn.
With a knowing nod to ‘80s smoothies like Toto and Hall & Oates, Sydney tunesmith Matt Van Schie has brought the pop back to synth-pop with his Balmy Nights EP from earlier this year. He’s got another run of tunes due before he settles back into his fulltime band Van She, so lovers of seriously smooth music should get their fill while they can.
Mixing pounding tribal drums with glowing neon synths for some twisted ‘calypso-electro’ sounds kind of terrible on paper, but one listen to New York production team Tanlines and their infectious tracks and we promise you’ll be converted to the gospel. - Dave Ruby Howe and Oli Queen