Offices

Offices

July 3 2009

Patrick Tighe, principal of Santa Monica’s Tighe Architecture, may hate space-age references. But, here we go: Tighe’s work for Moving Picture Company’s (MPC) Los Angeles office IS space-agey. With its pod-like central spaces, curving ledges and white drywall expanses, it evokes memories of retro space movies.

But it all fits. The U.K-based MPC is in the business of computer animation, color-grading and digital effects, so you wouldn’t want color, hard edges or natural light to mess with that. MPC is known for its work on the past six James Bond films, Slumdog Millionaire and commercials.



In turn, Tighe’s residential and commercial work is characterized by roofs shooting out at angles, curves sweeping, horizontal planes slanting. Your eye follows these lines easily and accepts the direction. A goal that MPC is most likely familiar as well. - Tuija Seipell

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Offices

June 2 2009

While most of us must accept sitting just AT our regular desks, the creatives at Hamburg’s Syzygy agency  get to sit IN their swanky, new desks. Thinking up ads and interactive campaigns for clients such as Chanel, Mercedes-Benz, Mazda and Fujitsu, will most likely go a whole lot smoother when your workplace is custom-designed for you.
 
The office of Syzygy Hamburg (they also have offices in London and Frankfurt) was created by Christoph Roselius and Julian Hillenkamp, the two founders of eins:eins architecten in Hamburg.


 
The sleek, white bullpens are not as inflexible as they may seem. On the contrary — the various configurations are endless, but the desks always join together and form a whole. This allows for close cooperation and reinforces the feeling of everyone being in the same boat. The flexible desks also make it possible to turn tight and tough-to-utilize spaces into productive working environments.


 
Syzygy’s staff is lucky in other ways, too. Their cool office is located in the central part of Hamburg, near the city hall, the Binnenalster artificial lake, and the upscale shopping promenades of Jungfernstieg and Neuer Wall. Seems unfair, doesn’t it? -Tuija Seipell

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Offices

April 2 2009



Sometimes you come across an environment that really lets the merchandise or content (such as people, merchandise or furnishings) stand out. This 2,000 square-meter jewelry-case – the head office of the venerable fashion house Escada in Munich, Germany – is a luxurious example of this.

Completed in late 2008, the location hosts the international fashion media and buyers who gather here to view the latest Escada collection each season. The three dominant areas – entry court, lobby and interior courtyard – are separated by transparent facades. This creates a visually stunning, 75 meter-long runway that flows right through the center of the entire building.



Escada commissioned the Parisian architecture studio Carbondale of Michigan-born Eric Carlson to design the architectural public face of its head office, including the entry façade, entry court, interior courtyard, lobby and furniture.


 
Carlson graduated from Kansas State University School of Architecture in 1986. Before co-founding the Louis Vuitton Architecture Department in 1997, he worked in the offices of Mark Mack, Oscar Tusquets and Rem Koolhaas, He established Carbondale in Paris in 2004. Carlson is known for his work with luxury brands including the Louis Vuitton buildings in Roppongi, Tokyo, the LV Maison in Paris, the 360° Watch Museum and the corporate headquarters of Tag Heuer in Switzerland. - Tuija Seipell



Photographs by Jimmy Cohrssen


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Offices

March 30 2009



Giorgio Borruso Design of Marina Del Rey, California, designed the new airy and fluid headquarters for Milano’s Fornari SpA (Fornari Group).
 
Located in the Navigli section of Milan, the 35,000 square-foot building was converted from the historic porcelain workshop of the centuries-old Richard Ginori brand.


 
The Fornari family’s road to fashion fame started in the mid 1940s from footwear manufacturing. It entered the fashion apparel business in 1998 and has since flourished in other fashion, design and lifestyle brands, including the Fornarina fashion concept stores across Europe and the U.S.
 
The main entrance of the headquarters on Via Morimondo opens to a space lit by color-changing LED lights that seems to suck the visitor gently into the reception area. The open space is flexible, airy and fluid with rounded corners, curved edges, transparent partitions and unexpected waves of color. The hard and exposed concrete floors and steel structure contrast beautifully with the wavy feel of the new walls, partitions and staircase.


 
There is also a slight, vertigo-inducing sense of controlled imbalance, of not being completely sure what is floor, what is ceiling and what is wall. This was the intention of Giorgio Borruso designers describing the result as “Giving the illusion that there is no gravitational force; that you can walk on any surface; you can rotate the system ninety degrees, and it still works.”
 
The Italian architect and designer Giorgio Borruso is known for experimenting with and testing the boundaries of form, shape and structure throughout his career. He has won awards for product design, retail design, architecture and interior design. His famous retail work includes the tortellini-shaped shoe fixtures for Fornarina and the cocoon-like fitting rooms for Miss Sixty. - Tuija Seipell



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Offices

March 13 2009



Ogilvy & Mather’s Guangzhou office has been selected as one of the recipients of the third annual China's Most Successful Design Award 2008, sponsored by FORTUNE China magazine and China Bridge International.
 
Designed by M Moser and Associates, Ogilvy & Mather’s office is the first interior design project to receive this award. Aiming to offer its current and future staff an environment that inspires creativity Ogilvy & Mather allowed M Moser to go all out with the theme “Carnival of Ideas.”


 
The height of the space and the central staircase create a background for a theme park of environments that flow freely and openly from one to another.
 
This is Ogilvy & Mather’s expanded office, relocated from the business hub of Guangzhou to the edgier arts and culture region in the city-fringe, with views across the Pearl River toward the historical Sha Mian district.
 
Michael Lee, Ogilvy’s Shanghai & Southern China COO, was quoted as saying that although the commute time has doubled for many staffers, they still love coming to work because the new environment is so much fun.


 
In a media release, M Moser Associates’ director Wendy Leung is quoted as saying that although seeing the workplace as a strategic tool to support business goals is a new concept in China, it is gaining recognition as a serious trend.
 
In operation since 1981, M Moser has offices in 11 countries, specializing in workplace environments including design, strategic planning, engineering and construction.


 
The 25 winners of China's Most Successful Design Award 2008 include cars, other products, and retail and office spaces. - Tuija Seipell

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Offices

February 11 2009



Atelier Exquise is a showroom, design studio, kitchen and a small apartment for Exquise Design in Paris. Exquise is a team of three female designers focusing on designing contemporary lovetoys.

The new space is a meeting place for creatives where they can cook both ideas and food. Designed by Stockholm-based Electric Dreams, the space starts with white walls, ceiling and floor. To this simple backdrop, spurts of electric and luminous pinks, blues, purples, greens and yellow, add a feel of lightness and delight.



Electric Dreams is an architecture and design studio established in 2006 by product designer Joel Degermark and architect Catharina Franklander. Their design work ranges from cool and sleek retail interiors to lush and crazy installations. Degermark’s Cluster lamp for Moooi and the team’s fantastic, multiple concepts for the Swedish brand Monki — purchased in 2006 by H&M — are examples of the duo’s many talents. - Tuija Seipell



Offices

December 1 2008




GHD, makers of the must-have hair straightening irons (many a woman's best friend, let me tell you) have just joined the cool offices club. The company's new 15,600 sq ft head quarters in Leeds is more space ship than corporate office. And that's exactly how they wanted it, according to UK firm Carey Jones interiors, who designed the futuristic space, which features a "catwalk" in the reception area.



The objective of the two-year long project was to capture GHD's sense of style and uniqueness in the market place and translate that into their HQ's design. Mission accomplished. - Lisa Evans

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Offices

November 19 2008




When the investment group All Capital wanted a power space for their high-powered meetings in Amsterdam, they engaged two local creative firms that had the right vision. Architectural office Eckhardt en Leeuwenstein created the meeting and lounge areas that are prestigious and opulent without being pretentious or stuffy.

Themed around the playful concept of being under a spotlight, the spaces feature gigantic, round, black lamp shades spray-painted gold inside. These power lights appear to cast spot lights and create shadows everywhere in the space. The fake ovals of light and shadow on the floor, walls and furnishings are created by altering the colors and textures of the finish.



The golden ovals also define specific areas and soften the angles of the black-stained ash wood desks and cabinets. In addition, the gold and silver ovals scattered about can be interpreted as coins - highlighting the business of the client. All existing ornamentation and detail of the building was painted white.
 
The All Capital boardrooms and lounge opened last month in the historic, 17th-century building, De Gouden Bocht located by one of the most famous canals of Amsterdam, the Herengracht (=Gentlemen`s Canal).



i29 was established in 2001 by Jaspar Jensen and Jeroen Dellensen. Their style is characterized by a dramatic absence of extras or gimmicks, and by frequent use of clear blocks of color and lots of white. Their projects, mainly in Amsterdam, include schools, retail shops, restaurants, hotels and private residences.
 
Architect duo Rob Eckhardt and Goos Leeuwenstein has a long history of distinctive projects from public spaces to restaurants, entertainment venues and residences. They've created offices for Publicis, DDB and Eigen Fabrikaat, film studios for Jurriaan Eindhoven, and interiors for Restaurant Bordewijk. Eckhardt became known early in his career as a furniture designer with the disco stool Dolores as his first success in the early 1980s. He even operated a retail store that sold his furniture, including the 1983 Groeten uit Holland chair and the 1982 Karel Doorman chaise lounge. - Tuija Seipell



Offices

October 2 2008



Trust Melbourne (the city that holds Design close to its bosom) to be the home of the latest initiative from ANZ Bank; a Breakout & Learning Centre designed by Hassell. As the title suggests, this large, flexible, multi-purpose space is designed to encourage creativity, however it is in the execution that the freedom from constraints of a “normal” office environment is apparent.  Forget about boring corporate colours, obvious branding and drab office furniture (in the style of hit series “The Office”).  



The use of unexpected materials and contradictory colors in the space and its furnishings produces startling results. Plywood, paint and patterned rubber with industrial raw finishes are topped off with a pop of fire-engine red and frog green! Various-size meeting rooms are equipped with state-of-the art technology to enhance the group experience. Perhaps my favorite design features are the “Tree of Knowledge” and the “Giant Foot”. Just like in a fairytale, the tree grows between floors in a natural raw shape reminding us that the childlike imagination is where creativity is ripest. Beneath the tree, the Giant Foot reminds us about reality and perception.  — Kate Vandermeer



Offices

August 25 2008



If you are reading TCH while working, stop for a moment and consider your surroundings? What is your environment like? Are your surroundings in tune with what you should accomplish? Some of us work in our homes while others stare at their computer monitors all day in a multitude of places referred to as “work.”



Our environment has a direct impact on our work and on how we feel about our work. From the time you sit down with your Monday-morning latte to the moment you make the mad dash to the elevator late on Friday afternoon, innumerable stimuli affect your every action and reaction.

Can you gaze out, or better yet, open a window to let in fresh air? Is your concentration broken each time a nearby coworker turns on the external speaker when he answers the phone? Do you spend most of your day away from your workstation? Are the meeting rooms and common areas in your office inviting and inspiring?



Fortunately, designers have become increasingly ingenious when designing office space, but the ones making the decisions at the top deserve praise as well. We’re noticing more and more collaborations between designers and organizations that unquestionably result in satisfaction throughout the staff.



The focus of attention has started to shift. As leaders, we expect employees to produce more, better, faster, cooler. But we often spend all our time and energy ‘evolving our brand,’ and don’t pay much attention to work environments. If we changed the workspace, we’d probably start seeing more of what we want. Creative environments foster and attract creative minds.



Designers have figured it out — change the cube, evolve the thinking. Designers collaborate with interior architects and now the focus is on the entire space. How can we use space better? How do we create an interesting working environment? What if we did something really unusual? Like creating workspace inside a giant pipe — or a series of pipes?

Designers have now also been paying attention to elevators, stairwells, bathrooms, meeting rooms and other social spaces. These previously ignored and undervalued spaces are becoming an integral part of design strategies — and not just to look good, but also to function well. By adding colour, neon, digital interiors, irregular shapes and patterns — cool stuff to look at, to touch, or to sit in or on — we’ll heighten the senses and draw out creative thinking.



We know at least some of you have benefited from our previous take on innovative workspaces, aso now we're now on the hunt for more of the best creative offices for our third book - "World's Most Creative Office Environments.”  Email us at [email protected]This e-mail address is being protected from spam bots, you need JavaScript enabled to view it This e-mail address is being protected from spam bots, you need JavaScript enabled to view it or nominate yourself if you think you’ve got what we want. - Andrew J Wiener

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