Matching optional, mixing mandatory. Straight-laced or upscale are definitely not the main characteristics of the target audience of Spicy Color’s peppy and girly clothing store in Seoul, Korea.
The candy-colored “fashion playground” shop expresses the brand’s sweet and happy mantra of “joy.play.love.” with a pop-art retro vibe.
Students, most likely female, will find themselves completely at home in this slightly messy, dorm-room environment with its mix-and-match, low-brow fixtures, gooey colors and “wastebasket” lighting.
Everything is light-weight and mobile or moveable, making it easy to create new, unexpected displays every week. The various sections of the store have different textures and materials, tiles, brick, wood, metal, adding another dimension to the multi-function space.
The website repeats the same feel: a dated yellow typewriter, a yellow scooter, big dice, a shoe-shaped pink armchair, a retro guitar — it all reminds us of cast-offs, second-hand finds and an adventurous creative spirit.
It reflects student days of low budget and high spirits. Ice cream and yogurt, balloons, cupcakes, jellybeans – the vibe invites us to expect something yummy and bouncy, slightly indulgent and perhaps even a bit naughty.
The clothing is equally fun and colourful, and the entire brand approach is spelled out as “fashion is play.” The design of the store is by local design firm m4, under the direction of Kwang-Hyun Han and Yun Young-Sub. - Tuija Seipell.
The cool story of David Webb, jewelry designer since 1948 to elite stars, socialites and others who love bold statement pieces, continues beautifully today.
With the 2010 change in ownership – from the Silberstein family to Sima Ghadamian, Mark Emanuel and Robert Sadian – the New York tradition has managed to hold the attention of the luxury jewelry buyer from Jacqueline Kennedy Onassis and Elizabeth Taylor to Gwen Stefani and Jennifer Lopez.
The most recent buzz around David Webb is not about the iconic pieces’ animal and other organic forms or the incredibly rich settings of precious stones, but about the design of the Madison Avenue Flagship boutique, above which the artisans still work in the in-house atelier.
Designed by architect Peter Pennoyer with interior design by Katie Ridder, the boutique seems more like a mansion or series of salons, and less like a store or showroom. With prices starting at $4,000, the David Webb pieces require surroundings that are both luxurious and intimate. Pennoyer and Ridder have achieved an edgy ease that lets the jewelry remain the center of attention. - Tuija Seipell
Toronto’s latest TA-ZE store, at 120 Adelaide Street West, is only 800 square feet in size, but it is airy and uncluttered. TA-ZE is a chain of retail stores focusing on premium olive oils and related product.
Ta-ze means fresh in Turkish, and the company is rooted in the long traditions of olive-oil production. Its product comes from six provinces in the Aegean region of Turkey, from 33 co-operatives that include more than 28,000 olive producers.
The purity and clarity of the oil is reflected in the minimalist store concept designed by Toronto-based Burdifilek, led by managing partner Paul Filek, and creative partner Diego Burdi. They are also responsible for retail design for W Hotels, Holt Renfrew department stores, Club Monaco and Joe Fresh, among others. - Bill Tikos
OUKAN 71 is an intriguing addition to the sophisticated shopping area around Friedrichstrasse in Berlin. OUKAN 71 combines a fashion and art showroom/shop with a tea room and restaurant. Located on Kronenstrasse 71 (Kronen Strasse means Crown Street in German, and Oukan is Japanese for crown), the boutique has a fascinating background.
When the earthquake and tsunami cancelled the Tokyo Fashion Week in March last year, a group of Japanese designers were looking for a place to showcase their work. Berlin answered, and a charity project, Tokyo Gakudan (Tokyo Orchestra), was presented at the Mercedes-Benz Fashion Week Berlin in July 2011, with 40 Japanese designers showing their collections.
Natalie Viaux and Huy Thong Tran Mai were responsible of the Tokyo Gakudan Runway Show at Mercedes-Benz Studio. They are also the masterminds behind OUKAN 71, inspired by the fashion show.
On two open-concept floors, OUKAN 71 offers a constantly changing selection of fashion, accessories and design, much of it currently Scandinavian, but all with a Japanese feel. The Tea Bar Restaurant serves raw, vegan, vegetarian and fish breakfast and lunch dishes by chef-patissier Eriko Ohsawa, formerly of Tim Raue’s MA and UMA restaurants. - Tuija Seipell
In a refreshing departure from the now so routine dark-mahogany “men’s club” feel of men’s stores, New York-based architect and interior designer Rafael de Cárdenas of Architecture At Large approached Cape Town’s Unknown Union with a much lighter touch.
The two-level boutique, located in a historic building, exudes light and color. On the first level, white walls serve as the background to the pared-down stacked-box shelving painted in softly muted yet vibrant colors. This simplified setting, gives the owners, Sean Shuter and Daniel Jackson, an ideal showcase for the brands that they represent, including ANYthing, Pendleton, Surface to Air, and Penfield USA.
The second level is an ever-changing, creative space, where local and international creators and artist showcase their work. The opening event for the space featured the work of Rafael de Cárdenas/Architecture at Large, Gazelle, Surface to Air, Milkbeard, Cornrow Rider and THECAST. - Tuija Seipell.
Luxury jewelry and giftware stores are waking up. They have been as traditionally stuffy as banks in their design, but their globe-trotting clientele is demanding an upgrade. Bored out of their minds, they want an edge, a spark, a something, to break up the monotony and to add some interest.
We've featured a few, including Octium in Kuwait,- Podium Paris and Solange Azagury-Partridge London and here is another to add to that list: The two-level Faraone jewelery boutique in Milan, on Via Montenapoleone, envisioned by architect Massimo Iosa Ghini. whose retail design work includes showrooms for Maserati and Ferrari.
At Faraone, his subdued, metallic setting for the items on display symbolizes the precious-metal setting of a ring or pendant that sets out the stones, engraving and minute details.
There is also a cool, retro factor, reminiscent of the mysterious estate jewelry areas in luxury department stores of the past. The soft nappa leather chairs and the tone-on-tone carpeting add to the feel of being inside a jewelry box. - Tuija Seipell.
Kirk Originals eyewear company opened its London flagship store on Conduit Street in the West End this week with a swanky launch party.
London-based Campaign designed the pared-down, dramatic retail environment of the 66 square-meter boutique.
The black-and-white color palette, only one eyewear wall with 187 “heads” for frames, and practically no furnishings ensure that customers will focus on the eyewear, not the trappings. Eye examinations and fitting take place in the basement, away from the main display space. Large graphics of winking eyes in the window speak the same, clear language leaving no doubt about what they sell.
Established more than two decades ago, Kirk Originals is still run by Jason and Karen Kirk from their home near Bordeaux, France. Kirk Originals are available in more than 40 countries. - Tuija Seipell
The Moscow-based Podium Fashion Groupl is involved in numerous fashion ventures, but what caught our eye is the Podium 1 jewelry store in Paris (at 334, rue St.-Honore, Paris 1er, right across from Colette). The tiny shop (50 square metres) oozes glamour and old money, patina and luxury.
The rich feel is created through textured wallpaper, dark antique or aged wood furnishings, curved vitrines, thick-glass cabinets with hand-tooled iron pulls, plus a massive armoire standing on curled legs and sporting Gothic arches. The slightly mad and eccentric, yet visually cohesive neogothic interior and furnishings are by Moscow-based Artbureau I/1 (“one over one”) whose eight principals create both private and commercial interiors and architecture.
Podium’s Paris store is a space for one-of-a-kind, hand-crafted pieces created with rare or antique techniques by jewelry names such as Loree Rodkin whose pieces recently adorned Michelle Obama at the inauguration ball and Cher on the cover of Architectural Digest. Tuija Seipell
Paris has now joined Beijing, Beirut, Buenos Aires, Doha, Dubai, Florence, Geneva, Hong Kong, Los Angeles, Macao, Madrid, Moscow, New York, Portofino, Riyadh, Shanghai and Tokyo as a location of an Officine Panerai watch boutique.
The Parisian shop opened in September in the 1st arrondissement on Rue de la Paix's jewelery row, between Place Vendôme and Opéra Garnier.
The Italian company was founded in Florence in 1860 by Giovanni Panerai. It became the official supplier of the Italian Navy and continued to build various precision instruments for the army's diving corps. Panerai remained relatively unknown in the civilian world until its bulky watches were brought to popular attention by Sylvester Stallone who wore a Panerai Luminor watch during the shooting of the movie Daylight in Rome. Stallone then ordered and signed a special batch of the watches called Slytech. He gave them to his friends, including Arnold Schwarzenegger. Stallone has since worn many Panerais, including the largest Panerai wrist watch, the limited-edition Panerai Egiziano, with a face that is 60mm in diameter.
The interior of the 41 square-meter Parisian boutique echoes Panerai's naval traditions by emphasizing precision and quality, and featuring such materials as teak and steel. - Bill Tikos
British jewelry designer Solange Azagury-Partridge’s London flagship store is now open on the luxe Bond Street. In her typical fashion, Azagury-Partridge has handled the interior and furnishing design herself.
The store has the same luscious, red-velvet jewelry box feel as her first store that opened in 1995 in Notting Hill (and moved to Westbourne Grove in 2005). The most fantastic feature of the new store is the carpet. It stands out in Azagury-Partridge’s signature style – it is almost too much, but not quite. It brings a smile to your face, makes you look again. That’s the “rock-star” quality that everyone mentions about her work.
The first floor of the two-storey boutique offers an impressive meeting of theatrical and whimsical. Absolutely everything has been choreographed and specially made for the space. Downstairs is a private-member-style, discreet enclave of hidden doors, alcoves and padded walls. The ceiling is adorned with 600,000 Swarovski crystals.
When Azagury-Partridge launched her own jewelry line in 1990, she was completely self-taught. The first piece she had ever designed was her own engagement ring only three years earlier. She has been quoted as saying that “The advantages of being self-taught are that I have no preconceptions or received opinions about the rules of jewellery. Being an outsider is my raison d’être.” - Tuija Seipell