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The travel world is full of designer boutique hotels and resorts - cities and seaside locations are teeming with them. Winter resorts, on the other hands, have left a lot to be desired in the design stakes. Until now. Developers, architects and designers are turning their attention to ski resorts, help to redefine the experience of the typical ski holiday.
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Taking inspiration from classic European chalets, sophisticated, design-led ski resorts and lodges are popping all over the world. From Australia to Austria, the new ski holiday is as much about the experience of kicking back in beautiful surroundings at the end of a long day of skiing, as it is about the runs.
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Paul Hecker is the interior designer behind some of the most beautiful public interiors in Australia, including the Prince Hotel in Melbourne and more recently in Sydney, the Ivy and stunning adjoining penthouse hotel suite. The latest from Hecker and his Melbourne-based team at Hecker, Phelan & Guthrie, is the new ski lodge, Fjall, located at Falls Creek in Victoria.
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Falls Creek is on its way to becoming something of a hot spot for those seeking the luxe version of a ski holiday. The Hecker designed Fjall lodge joins the hip Huski Lodge and Frueauf Village; luxurious architect-designed self-contained apartments and chalets. Next month the ski town will add another high-end resort to its stable, with the Quay West Resort & Spa Falls Creek set to open its doors.
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Fjall lodge consists of spacious, private apartments. With the Fjall, Hecker has taken the modern Scandinavian chalet aesthetic up a notch. Working with a crisp, very Nordic palette of charcoal, white, black and pale gray, Hecker brings a strong sense of nature into the interiors, working with smoked and limed oak timber floors and wall paneling, and custom-designed oak timber joinery. Calacutta marble, heated balconies and cozy window banquettes complete the sophisticated space. - Lisa Evans
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Photography - Peter Bennetts














Thanks to the jet-set generation, demand for boutique hotels is increasing around the world. The first boutique "chain," W, started the trend for a network of branded urbane-style properties and has just launched its latest edition - W Hong Kong.

Located in West Kowloon, the hub of the buzzing financial district of Hong Kong, the new W brings a large dose of New York style to this cosmopolitan Asian business capital.

The area is right on the commercial waterfront, so instead of luxury yachts you are more likely to look out onto imposingly large freight and cargo ships. It works though, juxtaposing the designer, luxury environment with the gritty, functional realism of the hotel's location.

Overall the hotel's design is pitch-perfect for the W brand - New-York- style interiors with the W signature quirk in the form of butterflies (butterfly motifs everywhere, we loved it) and surprising contemporary art works such as a fiberglass seal holding up a grand piano (yes, a seal holding up a grand piano, it's for real and a feat of creativity and engineering).

Other standouts include the spectacular rooftop pool, featuring an incredible mega-scale mosaic of a butterfly graphic created by Australian designer Fabio Ongarato. The pool looks out over the whole island - one of the most breathtaking in the city.

The rooms, designed by Australian interior desiger, Nicholas Graham and Japanese designer, Yasumichi Morita, are comfortable and welcoming. Each designer was assigned a specific floor to design, so each floor has its own personality, countering the cookie-cutter feel of most large hotels.

As for the suites - let's just say that they're apty titled - "Wow" and "Extreme" - and are suitably enticing. Enough to turn a short stay in long one....- Laura Demasi








Since 1991, San Francisco-native Jeanie Fuji has acted as the traditional Japanese okami (land lady or female inn keeper) of the Fujiya Ryokan (traditional wooden inn) in the Ginzan Onsen (hot springs) area.

That year, she married Fuji Atsushi, the son and heir of the 350-year-old inn and started her rigorous training under her mother-in-law in the art of serving customers, true Japanese style. This included preparing all meals, washing the dishes and cleaning all rooms. The goal was to make sure every need of every customer was anticipated and met following the age-old inn tradition of providing the right amount of service at the right time.

Fuji describes the types of things she had to learn. �Sliding a fusuma door open and shut, greeting guests, bringing them meals on small o-zen tables... everything has to be done a certain way, following the old traditions. And I had to learn how to talk with the guests using polite, formal Japanese. I often wanted to give up and go home to the United States. But now I love my work here,� she says in a Japanese publication.

By the time she had a good decade of experience behind her, Fuji had gained a celebrity okami status that she modestly and reluctantly dismisses. By 2004, she and her husband hired Tokyo-based celebrity architect Kengo Kuma to raise the personal service of the inn to even higher level. Kuma overtook a complete remodelling of the inn that reopened in July 2006. Kuma is behind many well-known buildings, including the Louis Vuitton Moet Hennessey headquarters in Tokyo.

The capacity of the thoroughly wooden, three-story Fujiya Inn was reduced to only eight rooms with full capacity at 16 persons. Considering the location of the inn, right in the middle of a relatively remote rural area known for its hot springs and natural beauty, the level of luxury in the inn is astonishing.

Kuma has been able to combine traditional Japanese simplicity with international tastes and needs, yet avoided the dumbed-down, westernized version of Japanese style. In fact, Fuji has written an autobiography on this subject Nipponjin ni wa, Nihon ga Tarinai (Japanese people are not Japanese enough), in which she emphasizes that it is important for modern Japanese to recognize and re-claim the value of their own millennia-old customs and history.
At Fujiya Inn, you feel that you are part of an ancient, authentic and almost organic history that seems to be seeping through every seam and screen here. Many aspects contribute to this effect. One is Kuma�s brilliant use of layers, screens as thin as veils, to both hide and reveal space. The omnipresent samushiko bamboo screens by craft master Hideo Nakata (no, he�s not the horror-movie director) and his son required 1.2 million four-millimetre-wide strips of bamboo. Green stained-glass panes by Masato Shida and the prolific use of the handmade, richly textured Echizen Japanese paper add to the feeling of lightness and transparency.

The organic, natural quotient of the inn is also boosted by the baths and the hand-prepared, fresh food. The inn has five beautiful private hot springs baths including an open-air bath on the top floor. The food is based on a regular washoku (Japanese cuisine) menu and features many edible plants and other local ingredients. Fuji�s favourites include the sansai, mountain vegetables, including kogomi (ostrich fern fiddleheads) and urui (plantain lily petioles.) The only exception to this local-only rule is Cafe Wisteria (English for fuji), open only in the summer months, and offering international coffees and cakes.

To get to the Fujiya Inn, take the 3.5-hour trip on the Yamagata Bullet Train (Shinkansen) from Tokyo and then get a bus to the hot springs. Or fly from Tokyo to the Yamagata airport and arrange for a pick up by the inn. By Tuija Seipell


China's first carbon-neutral hotel, the hip 26-room URBN Hotel Shanghai, will officially open this spring. Conceived by owners Scott Barrack and Jules Kwan, URBN promises to be the start of a new boutique hotel empire.
No strangers to luxury developments or to China where they have lived for 10 years, the two plan to open another 20 URBN hotels in China in the next three years, starting with Beijing, Hangzhou, Dalian and Suzhou. The hoteliers will go as green as possible by rehabilitating existing structures, using recycled materials, maximizing green space and introducing eco-friendly solutions.

Beyond co-founding boutique real estate investment and development company Space Development with Kwan, the California native Barrack has established several property companies in China, including Space International specializing in luxury French Concession district properties, and Inn Shangha, the city's first serviced boutique apartment complex. Sydney, Australia-born and raised Kwan is an alternative media and property development expert.
The partners have a unique, personal perspective on what works and what doesn't for a luxury traveler in China. To give visitors a true Shanghainese urban experience - something they felt was missing - they invited international Shanghai-based collaborators with similar sensibilities to convert a 1970s post office building to the stylish URBN Hotel Shanghai. The result is an impressive fusion of contemporary and Chinese design.

URBN's spatial concept, interior and facade design are by A00 Architecture, a partnership of three Canadian architects, best known for conversions of Shanghai's historic houses into unique residences. The hotel's interior designer is Brazil native architect, Tais Cabral, known for her commercial, cultural, residential and retail work in Paris, as well as her furniture design. By Tuija Seipell

The most fabulous example of a hotel combining drama, surprise, luxury and comfort is hiding in the heart of the historical, artistic and night-club haven of Montmartre in Paris. Opened in June 2007, the restored aristocratic mansion The Hotel Particulier de Montmartre has definitely decided to grow up. The two masterminds behind the project are Morgane Rousseau and Frederic Comtet who with the help of Mathieu Paillard have managed to mix art and comfort brilliantly in their unusual hotel.

The owners commissioned well known artists, designers, sculptors and architects to create an intimate five-room enclave of exceptional atmosphere and charm.

One of the distinctive rooms is the 'vegetable room' designed by New York-born, Paris-based contemporary artist Martine Aballca. With her interpretation, she wishes to evoke hanging gardens, trees and the play of sunlight and shadow. The other artists involved in creating one of the compact private suites are photo artist Natacha Lesueur (room theme: Curtain of hair), painter Philippe Mayaux (Window), fashion and textile curator Olivier Saillard (Poems and hats) and illustrator and creative director Pierre Fichefeux (Tree with ears).

Finland-born Mats Haglund of Chanel, Colette and Paul & Joe boutique fame, created the private living room. He used the personality of the proprietors as his starting point and furnished the salon with originals of classics by Arne Jacobsen, Mies van der Rohe and Alvar Aalto.

From every window, residents can view the luscious and intimate garden created by Louis Banech, one of the landscape designers responsible for revitalizing the world-renown Tuileries Gardens.

With that much artistic and design cache, The Hotel Particulier de Montmartre will not have difficulty attracting a clientele. But to get there, you must leave the nightclubs of Montmartre, start thinking like former Montmartre residents Salvador Dali, Claude Monet, Pablo Picasso and Vincent van Gogh, and locate the secret alleyway between l'avenue Junot and la rue Lepic. Continue to the Sorcerer's Stone and pray that the iron gates will open for you. By Tuija Seipell






Do & Co Hotel is located in Vienna's District 1, on the pedestrian-only Stephansplatz, right in the middle of the most historic part of this mindbogglingly historic city. The hotel of 41 luxurious rooms and two suites opened in May on the sixth floor of the famous, glass-walled Haas Haus building, but it is the view that really takes your breath away. What you see from the Haus is a straight-on, full-size, real-life panorama of St. Stephen's Cathedral -- Stephansdom -- that has defined Vienna since 1147 AD. It is the sound of this Cathedral's massive Pummerin (big bell) that announces the official arrival of the New Year in Austria.

The original Haas Haus building was a furniture and interior decor store, Philipp Haas & Sons. Several reconstructions later, the grand-daddy of modern Austrian architecture, Pritzker prize winner Hans Hollein, designed the current glass-steel-concrete structure. It opened in 1990 with notable disapproval by traditionalists. Hollein was also behind the latest upgrade that included the Do & Co hotel.
Do & Co, the hotel's holding company, is known worldwide for its first-class airline and event catering business and its Do & Co Restaurants and Cafes. In the Haas Haus, it operates also Vienna's hot spot, the ONYX Bar (pictured above) on the 6th floor, and Do & Co Restaurant (7th floor), plus luxurious event space on the 8th and 9th floors with amazing views over Vienna.

The heritage of the company's Istanbul-born founder and majority shareholder, Attila Dogudan, is reflected in the colorful touches interspersed in the Do & Co hotel interior by Amsterdam-based FG Stijl. The firm's partners, British Colin Finnegan and Dutch Gerard Glintmeijer, have managed to unite Dogudan's Turkish heritage and Vienna's prissy past with understated modern luxury. Your room will come equipped with Kilim bedspreads, chocolates from Viennese confectionary institution Demel (also owned by Do & Co), and a Bang & Olufsen flat screen TV. By Tuija Seipell















Atkin's Architecture Group recently won the first prize award for an international design competition with this stunning entry. Set in a spectacular water filled quarry in Songjiang, China, the 400 bed resort hotel is uniquely constructed within the natural elements of the quarry. Underwater public areas and guest rooms add to the uniqueness, but the resort also boasts cafes, restaurants and sporting facilities.
The lowest level runs with the aquatic theme by housing a luxurious swimming pool and an extreme sports center for activities such as rock climbing and bungee jumping which will be cantilevered over the quarry and accessed by special lifts from the water. With a stunning visual presentation as shown here, it's no wonder this project took home the first prize. This is a fine example of an ultra modern facility co-existing amongst its natural environment.
by Andy G














